Johnny Mnemonic Page #6

Synopsis: In 2021, the whole world is connected by the gigantic Internet, and almost a half of the population is suffering from the Nerve Attenuation Syndrome (NAS).Johnny with an inplanted memory chip in his brain was ordered to transport the over loaded information from Beijing to Newark. While Pharmakom Industries supported by yakuza tries to capture him to get the informaiton back, the Low-tech group led by J-Bone tries to break the missing code to download the cure of NAS which Johnny carries.
Genre: Action, Crime, Sci-Fi
Director(s): Robert Longo
Production: Sony Pictures Home Entertainment
  2 wins & 3 nominations.
 
IMDB:
5.6
Rotten Tomatoes:
13%
R
Year:
1995
96 min
2,065 Views


Up here.

"They err in vision.|They stumble in judgment.

For all the tables are full...

of vomit and filthiness.

So that there is no place clean."

You should have seen it betore.

Isaiah.

Isaiah? Mine's Hooky.

Hey!

The girl that took Ralfi's boy...

out of the back room.

Who is she?

You expect me to remember...

half the sh*t?

Heal!

Oh, man.|Why'd you have to do that?

- Who's the girl?|- A wanna be.

She's always hanging around here|looking for a job.

Name?

Jane.

More.

- One of Spider's jobs.|- Spider?

He's a flesh mechanic--|implants and sh*t, you know?

They said he used to|be a legit doctor once, but--

Where?

They did some serious shoehorning|to get that in there.

Let's skip the technical critique.|I need some help.

You don't know the half.

Must be hurting like hell.

Think I need you to tell me that?|I got 320 gigs in here.

Yeah? What is it exactly?

What kind of stuff?

I haven't got a clue, and I don't have|a download code either.

Hey.

You doing okay?

Good girl, Janie.

You brought him to the right place.

You can fix him?

I don't know.

With his seepage,|if I could work a download...

I don't know|if the product would be coherent.

F*** the product.|I just want it out.

I wish it was that simple.

Allcome. Dr. Allcome.

Ever hear that name?

- Maybe.|- Where is he?

Maybe! Why do you want to see him?

Oh, come on, Spider.

I'll make sure Just Johnny|gets to see who he needs to see...

but you need bed rest, down time.

He's my client.

I'm telling you,|you've got to sleep!

Just tell me where to go.

All right.|I'll drive you.

Right.

- Halt, sinners!|- F***!

Spider, look out!

Who the f*** was that?

You don't want to know.

Jesus.

Where are we?

You'll see.

He's been this way for an hour now.|I don't know what to do with him.

If we still got any Paralon B,|give him 20 mg's.

F***ing PharmaKom, man.

That sh*t costs two grand|per clinical unit.

Okay, keep him warm|and bring his charts.

Here are the charts, Doctor.

Where's Dr. Allcome?

Dr. Allcome is a name|used when we've got a major problem...

and don't want to spook the patients.

"Doctor all come to ward seven."

We drop everything|and haul ass to wherever.

Usually means a crazy, somebody violent.

But I saw it on the fax buffer.

That tax was meant tor us.

Who's "us?"|Hey, wait a minute!

Who's "us?"

The NAS underground.|People who keep this place going.

People like me.|Get on the table.

Why?

Don't be a bigger a**hole than you|have to. Just get on the table.

All right.

Jack in.

Lie down.

Let's take a look at this sh*t.

No access code?

Except for one image|out of three.

It won't help.|What'd they use? Random images?

Yeah. From the TV.

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William Gibson

William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson notably coined the term "cyberspace" in his short story "Burning Chrome" (1982) and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works have been credited with "renovating" science fiction literature. After expanding on Neuromancer with two more novels to complete the dystopic Sprawl trilogy, Gibson collaborated with Bruce Sterling on the alternate history novel The Difference Engine (1990), which became an important work of the science fiction subgenre steampunk. In the 1990s, Gibson composed the Bridge trilogy of novels, which explored the sociological developments of near-future urban environments, postindustrial society, and late capitalism. Following the turn of the century and the events of 9/11, Gibson emerged with a string of increasingly realist novels—Pattern Recognition (2003), Spook Country (2007), and Zero History (2010)—set in a roughly contemporary world. These works saw his name reach mainstream bestseller lists for the first time. His more recent novel, The Peripheral (2014), returned to a more overt engagement with technology and recognizable science fiction concerns. In 1999, The Guardian described Gibson as "probably the most important novelist of the past two decades," while the Sydney Morning Herald called him the "noir prophet" of cyberpunk. Throughout his career, Gibson has written more than 20 short stories and 10 critically acclaimed novels (one in collaboration), contributed articles to several major publications, and collaborated extensively with performance artists, filmmakers, and musicians. His work has been cited as an influence across a variety of disciplines spanning academia, design, film, literature, music, cyberculture, and technology. more…

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Submitted on August 05, 2018

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