Jamaica Inn Page #3

Synopsis: Set in Cornwall where a young orphan, Mary, is sent to live with Aunt Patience and Uncle Joss who are the landlords of the Jamaica Inn. Mary soon realizes that her uncle's inn is the base of a gang of ship wreckers who lure ships to their doom on the rocky coast. The girl starts fearing for her life.
Genre: Adventure, Crime
Director(s): Alfred Hitchcock
Production: Paramount Pictures
 
IMDB:
6.3
Rotten Tomatoes:
55%
NOT RATED
Year:
1939
98 min
Website
561 Views


(Raucous laughter)

Shut that gab!

Keep it quiet.

- You see, boys, we've got a visitor.

- Harry told us.

She's a neat piece from what I've seen of her.

Very neat.

That's all you think of, women.

Vanities of the flesh.

Following petticoats

along the path to everlasting corruption.

- Salvation's off again.

- You can laugh now.

But you'll sing a different tune,

when you're roasting in the consuming fire

that's waiting for all of us.

Me included.

- Where are you going, Harry?

- To pay my respects.

She's not partial to your sort, Harry.

What about me in my new lace cuffs?

Anything in mind that way yourself?

Well, I hadn't given the matter a thought,

but I might.

I said I might, Harry.

All right, Joss.

Added to which,

she's my wife's niece from Ireland.

Why didn't you say that before?

My business, Harry, my business.

I knew a girl once.

Come from Ireland.

Talked funny, she did. Like a foreigner.

But it was all right.

I'm not what you expected, am I?

I was only a child when you went away,

Aunt Patience.

I can only just remember you then.

And what was I like then?

You were beautiful.

Was I?

Yes...

I suppose I was.

No doubt your mother told you all about me.

You're thinking I'm paid out for leaving home.

For running away. Well, you're wrong.

Joss has been a good husband to me.

There's nothing I'd change even if I could.

It's hard work and it's risky work.

It's work we'll rot in chains for one day.

All in a neat row.

And what do we get out of it? Next to nothing.

Why, a man's share doesn't come to enough

to hold body and soul together.

That last wreck didn't bring in

what it should have. That's what I say.

That's what you say.

No, that's what Sydney said.

- So, you've been yapping, eh?

- No, no, Mr Merlyn, I assure you.

Showing off your arithmetic, eh?

Doing pretty sums for poor lads

that can't read nor reckon.

You're out to list the goods,

not set a price on them.

Just a minute, Joss.

I told him the last haul didn't fetch

a quarter of what it should have done.

You did, eh?

Reckoning by our share of it,

maybe you're not getting

the right price for the stuff.

Maybe there's a leak somewhere.

(Harry whistles)

You're looking thoughtful, Harry.

Perhaps you'll give us

the benefit of your sentiments.

If any.

About this leak, I think the word is,

if you've a notion in your mind, Harry,

don't be bashful.

Spit it out. We'd be glad to listen.

I wouldn't know about that, Joss.

Well, perhaps I would.

Supposing there is a leak.

And supposing it happens before the goods

get to the inn, do you follow me?

Some absent-minded chap

might mislay a piece or two,

in a manner of speaking,

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Sidney Gilliat

Sidney Gilliat (15 February 1908 – 31 May 1994) was an English film director, producer and writer. He was the son of George Gilliat, editor of the Evening Standard, born in the district of Edgeley in Stockport, Cheshire. In the 1930s he worked as a scriptwriter, most notably with Frank Launder on The Lady Vanishes (1938) for Alfred Hitchcock, and its sequel Night Train to Munich (1940), directed by Carol Reed. He and Launder made their directorial debut co-directing the home front drama Millions Like Us (1943). From 1945 he also worked as a producer, starting with The Rake's Progress, which he also wrote and directed. He and Launder made over 40 films together, founding their own production company Individual Pictures. While Launder concentrated on directing their comedies, most famously the four St Trinian's School films, Gilliat showed a preference for comedy-thrillers and dramas, including Green for Danger (1946), London Belongs to Me (1948) and State Secret (1950). He wrote the libretto for Malcolm Williamson's opera Our Man in Havana, based on the novel by Graham Greene. He had also worked on the film. more…

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Submitted on August 05, 2018

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    "Jamaica Inn" Scripts.com. STANDS4 LLC, 2024. Web. 6 May 2024. <https://www.scripts.com/script/jamaica_inn_11156>.

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