Into the Night Page #3

Synopsis: Ed Okin's life is somewhat out of control. He can't sleep, his wife betrays him, and his job is dull. One night, he starts to drive through Los Angeles, and he finally ends in the parking garage of Los Angeles International Airport. Moments later, a beautiful young lady jumps onto his bonnet and he finds himself being chased by four Iranians. What follows is a wild chase through the streets of Los Angeles, and a very funny one too.
Director(s): John Landis
Production: Universal
  1 win.
 
IMDB:
6.5
Rotten Tomatoes:
38%
R
Year:
1985
115 min
670 Views


Why didn'tyou want

to go to the police?

Pull over.

Huh? Here?

Pull over.

I'm gonna be sick.

are you okay?

Mm-hmm.

Did you know

those guys?

No.

Did they

take anything?

No suitcase?

No. Please don't ask me

anything now, okay?

You mind if I ask

your name?

Diana.

Like Princess Diana.

Is thatyour boat?

No, it belongs

to a friend.

I'll be just a second, okay?

Larry?

Anyone aboard?

Diana.

You're not supposed to come here anymore.

Larry, I'm sort of in trouble.

Let me just stay here

tonight, okay?

Jackwon't know anything

about it. I promise.

You no longer have

the use of this boat.

I must still have

some clothes on board.

Let me shower and change.

Can I at least use the phone,

please, Larry?

The man says

you no longer exist.

I'm in trouble, Larry.

You're a pig, Larry.

Good night, Diana.

Is everything okay?

Could you take me to Hollywood?

Just a ride to Hollywood, okay?

I've got nowhere else to go.

Now you take offyour shirt.

Now take off your pants.

- Would you walk me up?

- You can't leave it there.

Everybody parks in the alley.

It's all right.

- They'll towyou away.

- Don't worry about it.

Hey!

Come in.

No, I 'd better

be going.

No.

No, not yet.

J ust for a minute?

No, I've gotta...

go get some sleep.

Just let me get

the lights on, okay?

I'm sorry.

I guess I'm still just

a little bit freaked out.

Make yourself at home.

Cute.

Is this your apartment?

Uh, well, no. Actually,

it's my brother's place.

I'm staying here temporarily.

Did you check

the refrigerator?

No, no, no.

I, uh--

I've got to be...

shoving off.

No, wait.

Please.

I really don't want

to be alone.

Let me make a call,

get myself organized.

- Okay.

- Thanks.

Ooh

Sugarpie, honeybunch

You know that I loveyou

Oh, f*** it.

Can't help myself

I love you

and nobody else

- In and out my life

- In and out my life

- You come andyou go

- You come andyou go

Leavingjust

yourpicture behind

And I kissed it

a thousand times

Don't go away.

I 'l I be right out.

Yes.

Well, it's an emergency.

Do you know where

she can be reached?

Oh, just a second.

Hello.

Christie.

Di, where have you been?

What's happening?

Uh, listen,

I'm kind of in the middle

ofa real bad situation.

Me too.

We're gonna be out here

all night.

Can I come over?

Now?

Let me talk to Bud.

Chris, look,

I need a friend.

It's serious.

Yeah, come on over.

I'll leave a drive-on for you.

Thanks.

Open the f***in' door!

Open up, you b*tch!

Friend of yours?

who's in there?

Diana!

Who's this?

Looks like a narc.

- He's a friend.

- She makes friends so easily.

What is your problem?

Hey! I work for my money,

andso does he.

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Ron Koslow

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Submitted on August 05, 2018

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