Into the Arms of Strangers: Stories of the Kindertransport Page #4

Synopsis: For nine months prior to World War II, in an act of mercy unequalled anywhere else before the war, Britain conducted an extraordinary rescue mission, opening its doors to over 10,000 Jewish and other children from Germany, Austria, and Czechoslovakia. These children, or Kinder (sing. Kind), as they came to be known, were taken into foster homes and hostels in Britain, expecting eventually to be reunited with their parents. The majority of them never saw their families again.
Production: Warner Bros. Pictures
  Won 1 Oscar. Another 6 wins & 6 nominations.
 
IMDB:
7.8
Metacritic:
79
Rotten Tomatoes:
91%
PG
Year:
2000
122 min
358 Views


There was no Jewish business

that I passed...

... that wasn't broken into.

The merchandise was either on the street...

... or looted completely.

As I got closer to school...

...I saw huge pillars of smoke...

...coming from the sections...

...where the two big synagogues

in Frankfurt were.

And I saw that they were on fire.

Our school happened to be just opposite

on the street where the synagogue was.

I was dragged out

with the stream of children.

Everybody went to the playground...

... to watch these flames.

And suddenly somebody said:

"There's a Jew!

"Let's throw her on the fire as well!"

I don't know how I got home.

I still don't know today how I got home.

And when I got home...

...my mother was absolutely shocked.

My father had been arrested.

My father was quite an outspoken person.

When they came to Buchenwald...

... and they took away

all the men's braces and shoelaces...

... he protested and said,

"You can't treat these old people like this."

So they made an example of him.

They beat him to death...

...in front of everybody...

...in order to instill terror and obedience.

They offered us my father's ashes

in return for money...

... and eventually the urn came.

And we buried it in the Jewish cemetery.

Of course, whether it was his ashes,

one never knows.

We heard loud banging

on the door downstairs...

... and so my aunt, my mother and I...

... ran up into the attic.

We were hiding

in an old wardrobe up there.

And I do remember feeling

as though I had spent my entire life...

...in that wardrobe.

And I also remember

whispering to my mother:

"I want to get out of here,

and not just out of this wardrobe...

"...I want to get out of Germany."

World revulsion was swift.

Yet Britain was the only country

willing to relax its immigration controls.

But only for children who would not

threaten British jobs or public funds.

Days after the Nazi pogrom...

... Anglo-Jewish leaders

met with Prime Minister Chamberlain...

... and urged him to let into the country

unaccompanied children...

... Christian as well as Jewish...

... up to the age of 17.

Six days later,

Quakers joined Jewish leaders...

... to present the government

a concrete rescue plan...

... to be funded by refugee

and religious organizations.

That night, the House of Commons

debated the issue...

... and approved the plan.

My youth leader said:

"Call Otto Hirsch.

"There is a job for you to be done."

So I went and saw him, and he said:

"I have a request.

"We have been informed...

"...that the British government,

the House of Commons...

"...had discussed the destiny

of Jews in Germany after...

"...all this publicity...

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Mark Jonathan Harris

Mark Jonathan Harris (born 1941) is an American documentary filmmaker probably best known for his films Into the Arms of Strangers: Stories of the Kindertransport (2000) and The Long Way Home (1997). He has directed three documentaries which have gone on to win Oscars, across three different decades. Educated at Harvard, Harris co-produced the short The Redwoods for the Sierra Club with Trevor Greenwood; the short won the 1967 Academy Award for Documentary Short Subject. The aforementioned Into The Arms and Long Way Home also landed Academy Awards. Harris started out as a crime reporter for the Chicago City News Bureau, and reports that on his first story he went into a police station and had his car stolen from in front of it. The police called him a few weeks later to ask if he had found his car. Harris tried investigative journalism next but quit after realizing he did not like to embarrass people. Harris believes that filmmakers can construct a cinema verite film beforehand by considering repeatable events—that is, by determining which events are likely to recur frequently, and being there to film those events when they do. He tested this theory on a film on the Peace Corps in Colombia, in a small village 50 miles outside Bogotá. The film was not especially positive about the Peace Corps experience; the Peace Corps decided not to use it for recruiting, but to use it for training people who have been in for about a year. Harris has also directed a film on migrant farmworkers and their dismal wages and living conditions;one of the "stars" of his documentary was Luis Valdez, who went on to direct the film La Bamba. Harris' film The Long Way Home deals with the experience of Jewish refugees after World War II. Spike Lee condemned the second half of the film as propaganda for the state of Israel; nonetheless the film won an Oscar in 1997 for Best Documentary. Harris next directed a film less complimentary towards the state, which had been commissioned specifically for the 50th anniversary of Israel. Harris intended the film, A Dream No More, to reflect Israel, "warts and all"; he spent 15 months and nearly $1.5 million U.S. making the film, which went over deadline as he tried to determine final structure for the film. He turned in a final print and had the film flagged the next day; it was never shown. Harris considers this film the second of his "Jewish trilogy". Into the Arms of Strangers: Stories of the Kindertransport, the third part of the trilogy, tells the stories of several people whose parents sent them on the kindertransport to escape the Germans, as well as one woman who was meant to go and did not because her father pulled her off the train. The film won the 2000 Academy Award for Documentary Feature. In 2003, Harris wrote Unchained Memories: Readings from the Slave Narratives. He was nominated for outstanding writing for non-fiction writing for this documentary. As a documentary filmmaker, Harris casts his films carefully, talking to people beforehand and deciding who has an interesting story and who tells it well on camera. He also refuses to start filming immediately, but prefers to talk with the subjects for about an hour beforehand. He is currently the producer of a documentary called "With One Hand Tied", which is based on the book "Black Warriors: The Buffalo Soldiers of World War II".Harris is also the author of various children's books, a side career he stumbled into the mid-1980s: he returned to journalism because he could not find funding for a documentary he wanted to make. After writing an article about a young child, he was contacted by an agent who asked him to write children's literature and has since written several children's books. Harris is currently a professor at the School of Cinematic Arts of the University of Southern California. more…

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Submitted on August 05, 2018

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