Hunter in the Dark Page #3

Synopsis: Yataro Tanigawa, a one-eyed hired assassin, impresses yakuza boss Gomyo Kiyoemon with his skill. Gomyo hires Tanigawa as his bodyguard, or yojimbo, to protect him during an inter-clan conflict. Tanigawa quickly rises in stature in the clan, but finds his boss's enemies almost overwhelming.
Director(s): Hideo Gosha
Production: Criterion Collection
  1 win & 1 nomination.
 
IMDB:
7.1
NOT RATED
Year:
1979
137 min
35 Views


I wish I could be,"

Minister Tanuma's political power

exceeded even that of the Shogun,

The mansion of Tanuma,

the Prime Minister,

was always filled with visitors,

who brought him bribes,

It appears you deeply regret

haVing missed being assigned

to oversee the Ezo district.

That is correct, Sire.

The Kitamae Clan has been abolished.

The procedures are oVer.

Therefore, I believe you

no longer need me.

I know that.

Don't try to be sarcastic.

I already assigned that position

to Kazue Ishikawa because

I heard there was a plot

to revive the Kitamae clan.

I know, Sire.

I hardly think those

country samurai can do much.

But if they eVer get

a wind of what we're doing

not only you, buy I as well,

will be in trouble.

I don't think you haVe

much to worry about.

Still, it's wise to be cautious.

It's because I'm always

careful in whatever I do,

that I'Ve enjoyed political might

for more than ten full years.

until the rioting Kitamae Clan

ronin are liquidated,

I order you to continue oVerseeing

the city of Edo from the shadows.

When all threats are removed,

I shall then appoint

you to goVern Ezo.

Seems he is concerned about us.

Because the boss ordered

him to take care of me.

Don't you mind me staying here?

The boss wouldn't object.

You really don't remember your past?

Nothing at all?

Not a thing.

It's better that you don't remember.

Why?

I'm scared about

you recalling your past.

EVen if I could remember,

I'd never change.

Then...

Then you...

What?

If you stay with the boss too long

something terrible will surely

happen one day.

So, we still haVe

seVen more remaining.

They are trying to

act against Lord Tanuma.

They're good swordsmen.

They're very smart, too.

Please don't say any more.

We never ask our clients

why we must kill.

That's one of the rules

of the underworld.

No matter what

other bosses might do.

I took the liberty of

having you checked out.

Shimoguni-sama,

you were the chamberlain

of the Kitamae Clan of Ezo,

which was abolished

a few years ago.

You pulled the strings

behind it's abolishment.

Since then,

you've worked for Tanuma.

You're asking me to get rid

of those Kitamae ronin

who are plotting to revive the clan.

Right?

Then, let me ask this:

What do you think of Kakizaki,

the one who's their leader?

I know he's all talk and no action.

All he has is his name and

his lineage. He's incompetent.

And I'm a traitor.

I arranged it so my

own clan would be abolished.

But Gomyo...

I was able to stand back and

watch my own clan being destroyed.

Because I felt it was already

caught up in the current of the times.

No one could stop it.

When I saw no future for the clan,

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Hideo Gosha

Hideo Gosha (五社 英雄, Gosha Hideo, February 26, 1929 – August 30, 1992) was a Japanese film director. Born in Arasaka, Tokyo Prefecture, Gosha graduated from high school and served in the Imperial Navy during the Second World War. After earning a business degree at Meiji University, he joined Nippon television as a reporter in 1953. In 1957 he moved on to the newly founded Fuji Television and rose through the ranks as a producer and director. One of his television shows, the chambara Three Outlaw Samurai, so impressed the heads of the Shochiku film studio that he was offered the chance to adapt it as a feature film in 1964. Following this film's financial success, he directed a string of equally successful chambara productions through the end of the 1960s. His two most critical and popular successes of the period are Goyokin and Hitokiri (also known as Tenchu), both released in 1969 and both considered to be two of the finest examples of the chambara genre. During the 1970s Gosha abandoned pure chambara and turned his productive energies toward films in the yakuza genre but he still produced period sword films such as The Wolves (1971 film) (1972), Bandits vs. Samurai Squadron (1978), and Hunter in the Dark (1979). His films Three Outlaw Samurai and Sword of the Beast (1965) have been released by Criterion.By the early 1980s, Gosha began making period films that featured prostitutes as protagonists that were renowned for their realism, violence, and overt sexuality. They were critically panned for those very reasons, but they were also all box office successes. In 1984 he was awarded the Japan Academy Prize for Director of the Year for The Geisha.Gosha’s films have influenced directors including Chang Cheh, Takashi Miike, and Yoshiaki Kawajiri. more…

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Submitted on August 05, 2018

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