Human Body: Pushing the Limits Page #4
- Year:
- 2008
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making certain that what it sees
matches the flashes
in Cheri's brain.
ROBERTSON:
Yeah. Right in the same spot.
So it works for us.
NARRATOR:
Finally,with the camera mounted,
Cheri's mother helps connect the
gear to try the new settings.
WOMAN:
Ready?l think my computer
gained weight.
[ Laughs ]
NARRATOR:
Has technology helpedbring Cheri's sight back?
Oh!
Wow!
Oh, wow.
[ Laughs ]
Oh, wow.
When l finally saw my first
light' it took my breath away.
We knew it worked,
and that was very,
very thrilling for me.
Oh, something's lighting me up.
NARRATOR:
We can't know what Cheri sees.
But we do know
what she describes.
Whoa. l'm seeing
two big dots of light.
And they are white with
a little bit of red in them.
Wow. Those were two really big
flashes, and they moved.
Wow. l saw a big flash
of light there.
NARRATOR:
This early in the project'
doctors have activated
only some of Cheri's electrodes.
Eventually, they hope to connect
many more,
vastly improving the scope
of her vision.
Oh, wow.
Because l can only use 1 0
of my electrodes,
whenever an object goes
in front of my camera'
l will see two flashes of light.
And they're about the size
of a big peanut M&M --
just one on top of the other.
Saw a couple more.
l'm not sure if it's the waves.
And that way, l know
that there is an object there.
Now, l'm not sure what it is.
They're sailboats?
ls that it still here?
That is cool.
When l am able to use
all of my electrodes, however'
l will be able to see
the outlines of things
l'm looking at.
So l'll know if l'm looking
at a tree or a person or a car.
So l'll actually know
what l'm looking at.
NARRATOR:
No one pretendsthat Cheri's vision is back.
But the fact she can sense
any of the visual world
makes her
an extraordinary pioneer.
l magine if one day we could feed
complete vision signals
directly to the brain.
What could we see?
We might see a world
that we've been blind to,
as if we were seeing
through night-vision lenses,
infrared cameras,
even X-ray vision.
l magine a sum mer weekend
on a California beach
dense with bodies.
But for one onlooker'
this seemingly calm scene
may be a series of accidents
waiting to happen.
How does a lifeguard know
when a raised arm means,
" l need help "'
not' "Hey, this is fun"?
The guard's skill at spotting
that one desperate person
among thousands is phenomenal,
truly testing his sight
and understanding.
We see the way we do so we can
spot danger to ourselves.
l call!
NARRATOR:
But nothingis threatening the lifeguard.
l n fact' the eye,
observing a harmless pattern
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