Howling IV: The Original Nightmare Page #3

You're probably right.

Who used to live in the cottage?

-Oh, a lovely couple.

She was a dear.

Nothing was too much trouble for her.

And one day, they just up and left.

Never said a word.

I still miss them.

Well, it's time you were off.

It's going to get dark, and forests are tricky things.

I've noticed you don't drive.

-No.

Doctor's orders.

-Well, you better be off.

-Thank you for listening.

-All right.

-I'll see you.

-Bye.

-Bye.

-Who was she asking after?

-About the couple that had the cottage before them.

-Oh?

-Excuse me?

-Marie?

-I'm sorry.

I thought-- I thought it was a--

-Are you all right?

-Yeah, I'm fine.

I just-- I thought you were somebody else.

-You're going back to your cottage?

-Yeah.

-If you go that way, across the swing bridge,

it's much quicker for you.

-Thanks.

Richard!

Richard!

-Marie, what is it?

What is it?

Now, calm down. what is it?

-Something's following me, Richard.

-What are you-- what are you talking about?

-Something's following me out there.

-Hey, Marie, what in the hell happened?

-I found Pierre.

I found just his head.

And then something was following me through the woods.

I could feel it.

-Marie, now, calm down.

Now, come on, explain to me what happened.

-It was in the cave by the swing bridge, you know?

And then something was following me, Richard.

I could feel him follow me all the way home.

He's out there.

I feel him.

-All right, honey.

Come on.

Come on.

Come on.

Calm-- calm down.

I'm gonna go see.

-No, Richard, don't go.

-It's OK.

I'm gonna go see.

-Richard, don't go out there.

-Honey, it's OK.

-Don't leave me, Richard.

-It's OK.

I'm gonna go see.

It's OK.

I'm gonna get the doctor.

-Oh, Richard.

Tell me it'll be all right.

Just hold me, OK?

-Go away.

FEMALE SPEAKER (OFFSCREEN): Go away, my child.

[HONKING]

-Hi.

-Hi, are you Marie Adams?

-Yes.

-I'm Janice Hatch.

I'm, uh, here on vacation.

Well, actually over at the Twin Forks Hotel.

And I-- I hope I'm not being too forward,

but I'm a big fan of your books.

And when I heard you were down here,

I really wanted to meet you.

-Come on in.

I just made some coffee.

Come on.

-I'm not interrupting or anything?

-No.

Of course not.

Don't be silly.

Come on.

[BELLS RINGING]

-Hello, Richard.

-I was just, uh, passing by.

And I thought-- well, I remembered

that my wife wanted some artists' supplies.

-So?

-It was a great book, but how do you keep all those characters

and complicated events straight?

-It's hard to explain.

I see it in my mind, almost as if it's real.

-Anything else?

-I thought maybe a present.

-Something special?

-Something like this.

-You have very good taste.

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