Hired Gun

1

I could go out on tour, actually,

and play by myself as far as...

you know, most people know, but, uh...

It works like an orchestra on-stage.

I happen to write the songs.

[singing] I write the songs

And I kind of conduct the band,

and we work as an orchestra.

I don't go out and...

do a Tom Jones thing with a bunch of sidemen.

[Hook] A hired gun is an assassin.

The best available musician

that gets hired to go on tour,

to deliver that music for that artist.

Nobody will know who he is.

But he gets the gig because he is the elite player.

It seems like there's about twenty

musicians we're talking about

that have made every single

record that everybody owns.

There's always somebody standing

by ready to take your place

if things aren't going well.

That's for sure.

My job security was my awesomeness.

You had to be even more focused than

somebody who's permanently in a band.

Because, what you're doing today

reflects on what you are going to be doing tomorrow.

You have to play great all the time

because you're entertaining the name.

And if you're not great tonight,

you may lose your gig tomorrow.

We know the riffs that they played

on guitar, or piano, or saxophone,

but we don't know their face or their name.

[Hook] Being a hired gun,

you're sitting in the front row,

to a very glamorous, high

profile, exciting lifestyle.

But it has nothing to do with you.

My mother was always into music.

We used to cut school to go see Frank

Sinatra and stuff like that...

My father was a bit of a square.

But, they bought me a set of drums when I was, maybe,

twelve, eleven years old...

Because, my father says, "Because

they didn't make Prozac back then."

When I was 19 years old

I was playing with a guy named Richie Supa.

And Doug Stegmeyer and Russell Javors

are in the audience watching me play.

There was just something about

Lib that was very, very special.

And I would go there as a kid and I'd say,

"I'm going to start a band with this guy.

That's the drummer I want to play with."

And it just evolved.

[Liberty] Eventually we started a band called Topper.

Doug Stegmeyer got the gig with Billy first.

He went on the Streetlife

Serenader tour with Billy Joel

when Billy told Doug that he

wanted to move from California

back to New York,

and he wanted a New York style drummer.

So, Doug said, "Well...

We got the guy. I know the guy!"

[Russell] First one Doug brought in

cause he was looking for a

rhythm section was Liberty.

So they really started doing Turnstiles

together with the three of them.

[Liberty] We got in the studio. The

three of us started to record,

me, Doug and Billy, just bass, drums and piano.

And when we listened back, Billy would say, "Well...

You know, I could use some guitar on this."

And we said, "Well, we know guitar players."

So, eventually,

Topper became Billy Joel's band.

And that was the band that went on

and toured the Turnstiles album.

The rest is history.

As a hired gun you have to be on point all the time.

Are you gonna be prepared and ready to go?

The one most important thing that'll make it good

is your attitude.

Be damn sure you know,

what the artist needs.

That's the key.

And then provide it.

Being able to sing is always a plus.

If you can sing good, and play,

you're gonna get the gig before

the guy that just plays good!

You gotta be able to memorize stuff... fast.

We get good at zeroing in on

exactly what we need to hit

very quickly.

There's no room for a B-game here.

You gotta always bring A,

and just knock teeth out.

That's what you gotta do.

[Rudy] I didn't really start playing metal or rock

until I became part of Quiet Riot.

And I'm talking about the Quiet

Riot version with Randy Rhoads

which I was a member of in the 70s.

That version of Quiet Riot

was more of a glam rock band.

But the music scene at that time

was very much centric on...

New Wave and Punk.

And bands like Quiet Riot...

We were considered dinosaurs.

There was word around town that

the singer from Black Sabbath

was looking for new musicians, you

know, to put a band together.

So, I was trying to get a hold of anybody.

Meanwhile,

Ozzy's management, his people, you know,

were trying to get a hold of Randy

to come and audition.

He went out there, you know, met with Ozzy,

and as he was tuning up and just

doodling around the guitar,

he got the gig.

And early 1981,

I get the phone call from Ozzy,

"Randy keeps telling me that you're the one"

and I met with Ozzy that night, and Sharon,

and I guess I passed the test.

"You want the gig?"

I said...

"Yeah!"

So, I went from sleeping on a floor,

just a sheet,

to all of a sudden... I'm, not

only am a member of Ozzy's band,

but, I'm living with him and Sharon,

up in a mansion in Beverly Hills.

It's been an incredible ride ever since, you know.

[Zombie] Good people don't stay

undiscovered for very long.

That's what I always tell people

that think the business is so vast.

It's not.

Because if you're good you stand out quick.

Everybody in the business from...

From Marilyn Manson to Rob Zombie,

to Ozzy Osbourne, to myself, who are lead singers...

All know who...

where the carrel... The A carrel is.

So, you, of course, go for those guys first.

All right. I broke two strings!

Whoo!

Two strings!

[Newsted] I remember getting the paper,

and opening it up.

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