High Sierra Page #3

Synopsis: Roy 'Mad Dog' Earle is broken out of prison by an old associate who wants him to help with an upcoming robbery. When the robbery goes wrong and a man is shot and killed Earle is forced to go on the run, and with the police and an angry press hot on his tail he eventually takes refuge among the peaks of the Sierra Nevadas, where a tense siege ensues. But will the Police make him regret the attachments he formed with two women during the brief planning of the robbery.
Director(s): Raoul Walsh
Production: Warner Home Video
  3 wins.
 
IMDB:
7.6
Rotten Tomatoes:
94%
PASSED
Year:
1941
100 min
506 Views


- Out fishing.

That's about all they do.

They never catch any,

but they keep fishing.

Yeah, he certainly is spoiled.

Look at him. He knows we're

talking about him.

I feel pretty good this morning.

I felt rotten last night.

Nothing like a good night's sleep.

You ought to get out in the sun.

Do you good.

Where I been, they didn't

let me out in the sun.

Afraid I might spoil

my girlish complexion.

Must be terrible to be in prison.

Some are worse than others.

You get a mean guard on you...

...unless you got what it takes,

might as well climb tier 2 and jump.

- Some of them did.

- I don't get you.

Top of the cell block. It's a 40-foot drop,

and you land on concrete.

I saw a guy take a dive once.

He made quite a splash.

Yeah. That must be awful.

He just didn't have what it takes.

I was doing it too,

but I got a break.

How was it?

I mean, knowing you're in for life.

- I should think you go crazy.

- Yeah. Yeah, lots of them do.

I was always thinking

about a crash-out.

I tried it at the prison farm,

where they sent me...

...but the fix blew up and a screw put

the blast on me.

The worst of it was, they

sent me back behind those big walls.

We were just getting ready for another

crash-out when my pardon came.

Yeah, I get it.

You always hope you can get out.

That sort of keeps you going.

Yeah.

Yeah, sure, that's it.

You got it.

Well, I'll get you some more coffee.

Well, thanks for the chow.

You see that fella over there?

He better watch his steps...

...because that dog's got the hex

on him for sure.

Gonna put the evil eye

on him?

Yes, sir, the evil eye.

That little old dog's got the evilest eye.

His left eye just shines in the dark,

just like a cat's eye.

Algernon, if it's in the dark,

how do you know which eye is which?

Come on, Mendoza.

We playing cards or taking a nap?

I'm sorry.

My mind was not on the game.

That's for me. Thanks, Louis.

Dumb luck. Just plain dumb luck.

If you wouldn't kick so much,

you'd do better.

- It's all in the cards.

- That's right.

Oh, Roy, this here's Louis Mendoza.

Delighted, Mr. Earle.

Come on, Mendoza,

let's finish out this hand.

That's a baby!

There's that dumb luck again.

I can't beat it.

What's it look like at the hotel?

How soon do we go?

Oh, it won't be long now.

The visiting season is starting up north...

...and all the big shots have

been making reservations.

This is the layout.

I don't know.

Babe and I kind of figured

our best getaway was over the pass.

Nobody will expect us to cross

the Sierras to go to L.A.

Suppose it should blow up a storm?

If the pass got blocked up, then what?

Yeah, that's right.

Oh, by the way, I dropped in

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John Huston

John Marcellus Huston (; August 5, 1906 – August 28, 1987) was an Irish-American film director, screenwriter and actor. Huston was a citizen of the United States by birth but renounced U.S. citizenship to become an Irish citizen and resident. He returned to reside in the United States where he died. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics: The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), The African Queen (1951), The Misfits (1961), Fat City (1972) and The Man Who Would Be King (1975). During his 46-year career, Huston received 15 Oscar nominations, won twice, and directed both his father, Walter Huston, and daughter, Anjelica Huston, to Oscar wins in different films. Huston was known to direct with the vision of an artist, having studied and worked as a fine art painter in Paris in his early years. He continued to explore the visual aspects of his films throughout his career, sketching each scene on paper beforehand, then carefully framing his characters during the shooting. While most directors rely on post-production editing to shape their final work, Huston instead created his films while they were being shot, making them both more economical and cerebral, with little editing needed. Most of Huston's films were adaptations of important novels, often depicting a "heroic quest," as in Moby Dick, or The Red Badge of Courage. In many films, different groups of people, while struggling toward a common goal, would become doomed, forming "destructive alliances," giving the films a dramatic and visual tension. Many of his films involved themes such as religion, meaning, truth, freedom, psychology, colonialism and war. Huston has been referred to as "a titan", "a rebel", and a "renaissance man" in the Hollywood film industry. Author Ian Freer describes him as "cinema's Ernest Hemingway"—a filmmaker who was "never afraid to tackle tough issues head on." more…

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Submitted on August 05, 2018

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