Hellraiser III - Hell on Earth Page #5

Synopsis: Pinhead is stuck in a block after the Big Confrontation in "Hellbound," The block containing Pinhead and the puzzle cube is bought by a young playboy as sculpture. Pinhead busies himself escaping by getting the playboy to lure victims to his presence so he can use their blood. Once free, he seeks to destroy the puzzle cube so he need never return to Hell, but a female reporter is investigating the grisly murders and stands in his way.
Genre: Horror
Director(s): Anthony Hickox
Production: Paramount Home Video
  1 win & 7 nominations.
 
IMDB:
5.5
Rotten Tomatoes:
38%
R
Year:
1992
97 min
541 Views


'Again? The box.

'I don't know what it's for

'or who made it, or why.

'I only know what it does. It hurts.

'It hurts.

'It kind of... opens itself.

'Your fingers move and you learn.

'It wants to open, that's the thing,

'and it helps, and then they come.

'The demons.'

'She's telling the truth, Joey.'

What the...

'... and then they come, the demons.'

Man, Joey must have polished you up some.

She must be weirder than me.

(Phone)

Joey?

Not quite.

- JP?

- Alive and in the flesh.

How are you doing, baby?

- What do you want?

- I'm just concerned.

I'm just checking in.

- How did you get this number?

- Will you relax, honey?

Your girlfriend left cards all over the club,

remember?

'Uh, yeah. Well, I'm fine.'

Joey's going to get me a job

at the TV station,

and I'm meeting a lot of new people,

it's really great.

Now, come on. You can't tell me

you haven't thought about me.

Course I have. I mean, I've thought.

God, JP, you were really horrible.

I am a bad guy

but I try not to be, I really do,

and I really miss you.

I miss you, too.

Good. Why don't you come over here?

'Nothing heavy, just a little drink, maybe,

see how we both feel.'

No, I can't.

(Sobs) I just can't.

- (Phone)

- Sh*t!

Sh*t! Sh*t!

(Answerphone) 'This is Joey. Speak.'

(Man) 'Hey, Joey, congratulations.

'You may not have heard,

but you got that job in Monterey.

'Now you're going to have to sell me

your condo.' (Laughing)

(Door opens)

Terri?

"Enjoy Monterey, you liar."

Come on in.

Not a good neighbourhood.

People disappear.

So, feel like home?

It's just like you left it, baby.

Not quite.

- That wasn't here.

- This?

Well, as you can see,

I'm having some work done on this.

You found a real treasure for me here.

I just hope I can show you how grateful I am.

Yeah? Well, it looks different.

A girl I know helped to smarten it up a bit.

She put her heart and soul into this.

(Laughing)

What a girl. Anyone I should know?

No. Honey, now that you're here,

it's like she doesn't even exist.

You know what I mean, right?

Yeah, right. Look, JP...

Terri, Terri, Terri, Terri...

You know it's got to be ticking away

in both our minds.

Is it going to happen,

isn't it going to happen?

Come on, baby. Come on. Come on.

You know we gotta get this out of the way.

Then we can relax. We can talk.

I don't think so.

- Not yet.

- (Sighs)

Sure. Sure, I understand.

- I'm just not ready yet.

- Registered.

It's cool. I mean, hey, we got all night, right?

(Groaning)

(Child crying)

(Men shouting)

Joey, welcome.

(Explosion, screaming)

(Screaming)

(Explosions)

(Shouting)

'You have to help me.'

(Sighs)

What a b*tch.

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Peter Atkins

Peter Atkins was born in Liverpool, England on 2 November 1955. He was a founder member of The Dog Company, a 1970s avant-garde theatre group, along with Clive Barker and Doug Bradley - with whom he would later work on the Hellraiser movies. As well as his movie and TV work, he is the author of the novels Morningstar (1992) and Big Thunder (1997) and the collection Wishmaster and Others (1999). He is married to Dana Middleton and lives in Los Angeles, California. more…

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Submitted on August 05, 2018

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