Heaven Can Wait Page #3

Synopsis: Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.
Genre: Comedy, Drama, Fantasy
Director(s): Ernst Lubitsch
Production: Twentieth Century Fox Home Entertainment
 
IMDB:
7.5
Rotten Tomatoes:
91%
NOT RATED
Year:
1943
112 min
660 Views


And only for $20.

Of course, that's six dollars more

than I ever paid before.

- But let's try it.

- Merci, madame.

- Au revoir, madame.

- Good-bye, mademoiselle.

Psst.! Hey.

Oui?

You're not gonna work here.

I'll see to that.

What is the matter?

Did I make little boy angry?

Now see here. That's the last time

anybody's gonna call me "little boy. "

Oh, so sorry if I hurt feelings,

but maman-

Yes. Mama.

That's the trouble.

Mama and Papa.

And Grandpapa and Grandmama.

It's a conspiracy

to keep me in short pants.

They think they own me,

body and soul.

Ah, je comprends. My understanding

for young man is perfect.

Your soul is bigger than your pants.

Oh, you need very warm friend

with sympathy.

Moi. I will be. Oui?

I bet you couldn't guess in a million years

what I have in my pocket.

No, I do not know, but I am sure it is

something very bad, oui?

- Here.

- Oh, you smoke big black cigar?

Sure, I'm gonna smoke it -

any day now.

Now we have

very bad secret together, oui?

That's nothing.

I can tell you things that would rock

Fifth Avenue to its foundations.

Oh?

- I'm going to get married.

- You, married?

Mmm.

I have to, darn it.

Oh, this is much worse than cigar.

When did disaster take place?

Oh, it all happened pretty suddenly.

There's a girl around the corner.

Well, you know.

But I do not know.

Tell me.

Well, we were walking in the park,

and it started to rain.

- Oui?

- We climbed into a policeman's shed.

- And the policeman?

- He wasn't there.

Well, anyhow,

before I knew it, I lost my head.

I don't know what got into me.

- I took her into my arms and then -

- And then?

I kissed her.

I may just as well

face the consequences.

Excuse my asking question.

This might sound very childish

to grown-up young man...

but did you ever consider idea

not marrying girl?

It's out of the question.

It would destroy me socially.

I could never go to Harvard.

Why, when my father kissed my mother...

she knew what he meant,

and he knew she knew it.

coute, mon chri.

In your papa's time,

papa kiss mama and then marry.

But this is 1887.

Time of bicycle. The typewriter has arriv.

Soon everybody speak over the telephone.

And people have

new idea of value of kiss.

What was bad yesterday

is lot of fun today.

There is a wonderful saying in France.

"Les baisers sont comme des bonbons...

qu'on mange parce qu'ils sont bons. "

This mean kiss is like candy.

You eat candy

only for the beautiful taste...

and this is enough reason

to eat candy.

Y- You mean I can kiss a girl once -

Ten times, 20 times.

And no obligation.

Listen, are you telling me the truth

or just trying to keep your job?

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Samson Raphaelson

Samson Raphaelson (1894–1983) was a leading American playwright, screenwriter and fiction writer. While working as an advertising executive in New York, he wrote a short story based on the early life of Al Jolson, called The Day of Atonement, which he then converted into a play, The Jazz Singer. This would become the first talking picture, with Jolson as its star. He then worked as a screenwriter with Ernst Lubitsch on sophisticated comedies like Trouble in Paradise, The Shop Around the Corner, and Heaven Can Wait, and with Alfred Hitchcock on Suspicion. His short stories appeared in The Saturday Evening Post and other leading magazines, and he taught creative writing at the University of Illinois. more…

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Submitted on August 05, 2018

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