Gycklarnas afton Page #5

Year:
1953
89 Views


- That's kind of you.

As I was saying...

- How do you do?

- What do you want?

Mummy, there's an old man with a barrel organ

and a monkey does tricks for a penny.

That's a lot of money.

Please, Mummy!

I'll give you one.

- Thank him properly.

- Thank you.

- Run along now.

- Goodbye.

- Tired?

- From the brandy and all the food...

- Agda...

- Yes?

I don't quite know how to say this.

- Don't say it, then.

- You won't get angry?

I can't promise.

Very well - I promise.

I want to stay here with you.

I'm too old for the circus.

I want to stay quietly here with you

and watch my boys grow up.

I could help out in your shops.

I have a pleasant manner when I try.

Let me stay. You won't regret it.

- I won't let you down.

- Don't act like a beggar.

I am one.

But it's not because of the money.

I'll sell the tent and horses

and put the money into the shop.

- You talk a lot.

- You say nothing.

- What am I to say?

- That I can stay.

- No, you can't stay.

- Is there someone else?

And what if there were?

I can't live alone forever.

But no one is going to take away

my peace and my freedom.

Do you hear? No one.

Yes.

- Where have you been?

- Why do you ask?

- Can't I ask a question?

- You said it so strangely.

Not at all.

- I went for a walk in town.

- Alone?

- Why not?

- Was that all you did?

And what about you?

Mind your own business.

You know already.

I don't know the details.

- We were discussing you.

- Do you have a guilty conscience?

- You should.

- I was just window shopping.

At the goldsmith's?

- Have you been spying on me?

- No.

But I saw you leave the theatre

and go into the goldsmith's.

So what if I did?

Why the theatre?

I was watching a rehearsal.

Why make such a fuss?

- Who was there?

- I don't know them.

- Frans?

- Maybe.

- You spoke to him?

- No.

- Are you sure?

- We didn't utter a word.

Why did you look so dishevelled

when you left?

I fell on the stairs.

Why this interrogation?!

- Have you been unfaithful?

- You're mad! You've no right to...

- Frightened?

- Don't hit me.

- Not if you tell the truth.

- I did talk to Frans.

- Were you in his dressing room?

- I had a quick look.

- You slept with him.

- No! I Swear!

The truth!

Or I'll smash your face in.

- You force me to tell lies!

- I can see in your eyes you're lying!

He gave me an amulet,

and said that I could sell it.

- Where is it?

- It was worthless.

And you slept with him?

You're lying!

Don't yell! No one will help you.

I wasn't unfaithful! I wasn't!

I could beat the life out of you.

Lie, if it suits you.

I did sleep with Frans.

He forced me to.

He locked me in

and I was afraid I'd be late for the show.

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Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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