Green Card Page #4

Synopsis: George Faure is a Frenchman who has been offered a job in the U.S. But in order to get the job he must obtain a work permit - green card, and the easiest way is to marry an American. Bronte Parrish is a New Yorker who is a keen horticulturist and just found the perfect flat with its own greenhouse. Unfortunately the flat is for married couples only. A marriage of convenience seems the ideal solution to both problems. To convince the immigration officers they are married for love, they must move in with each other. As the mismatched couple attempt to cope with life together, they start to fall in love.
Genre: Comedy, Drama, Romance
Director(s): Peter Weir
Production: Touchstone Pictures
  Nominated for 1 Oscar. Another 3 wins & 3 nominations.
 
IMDB:
6.2
Metacritic:
58
Rotten Tomatoes:
56%
PG-13
Year:
1990
103 min
501 Views


- Of course.

And he brought me back some plants.

Some violets. African violets.

- The violets.

- Mm.

- Mm-hmm.

And, uh, where did you live,

Mr Faur, before the marriage?

Oh, all over the place, you see, um...

In the park, one night.

- And, uh, where do you work?

- Pardon?

My husband's a composer. He's working

on an important composition right now...

based on his African research.

A composer?

We don't, uh, have a note of that.

And, uh, you write, what?

Uh, rock 'n' roll?

Ballet. I write for the ballet.

Ballet.

Your statement

on your passport application

said you had no criminal convictions.

Is that a true and correct statement?

Of course.

You speak French, Mrs Faur?

Not really. Not exactly.

No barrier to love, though, hmm?

Well, that about does it.

We're sorry to have troubled you.

There's been a major clampdown

on illegal aliens...

marrying for residency status

and a green card.

It's come down from the top.

The White House.

Well, you don't want

to get the wrong type.

- Precisely.

- We understand.

As a matter of curiosity,

how did you two meet?

I'm sure it was very romantic.

- We... You go ahead.

- Well, uh... No, you, please.

- We just...

- Please, you... We sort of crashed

into each other. Boom!

- Like that.

- Goodness.

- Yes, I was, uh, carrying

a lot of parcels, and...

- Parcels?

- Yes, parcels.

And then I-I picked them up, and...

- A-A-And... And Anton...

- Don't forget about Anton.

- Ah, Anton, yes.

- He was with Georges, and I knew him.

- Anton, yes. Yes, he also helped

pick up the parcels.

Yes, but the point is, darling,

is that he introduced us.

Oh, that's right. He did.

He did, yes. Anton.

- And?

- Well...

- So, and...

- Ah, it was raining. And, uh...

- Oh, yes! We got soaked.

I took one of her parcels

when I pick up mine.

- Oh, you had parcels too?

- Ah.

Uh, everyone had parcels.

So many parcels.

So, uh, I-I-I...

I picked up one of hers.

- By mistake.

- Yes, so I had, uh, my parcels...

and, uh, her parcel...

and I was, uhh...

staggering around, like this.

And, uh...

Uh... Uh...

- Somebody better get the telephone.

- It couldn't be for me.

Well, it could be, dear,

but don't worry. I'll get it.

We don't want to have a husband-and-wife

fight in front of our guests.

Hello? Phil!

You're still upstate, aren't you?

- No, I'm not glad you're still there.

- Do go on, Mr Faur.

- Phil, I can't talk right now.

- Hmm?

The parcels? You were up to

where you had her parcels.

- Oh, yes. Yes.

- Oh! I'm excited.

- So I found this extra parcel.

- Can I call you back?

I knew I had 9, and now 10.

I say, "What was going on?"

I say to myself.

And I-I open it, and it was, um,

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Peter Weir

Peter Lindsay Weir, AM ( WEER; born 21 August 1944) is an Australian film director. He was a leading figure in the Australian New Wave cinema movement (1970–1990), with films such as the mystery drama Picnic at Hanging Rock (1975), the supernatural thriller The Last Wave (1977) and the historical drama Gallipoli (1981). The climax of Weir's early career was the $6 million multi-national production The Year of Living Dangerously (1983). After the success of The Year of Living Dangerously, Weir directed a diverse group of American and international films covering most genres—many of them major box office hits—including Academy Award-nominated films such as the thriller Witness (1985), the drama Dead Poets Society (1989), the romantic comedy Green Card (1990), the social science fiction comedy-drama The Truman Show (1998) and the epic historical drama Master and Commander: The Far Side of the World (2003). For his work on these five films, Weir personally accrued six Academy Award nominations as either a director, writer or producer. Since 2003, Weir's productivity has sharply declined, having directed only one subsequent feature, the critically successful but financial flop The Way Back (2010). more…

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Submitted on August 05, 2018

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