Grave Encounters 2 Page #4

- Like, was it my performance? You want me to do it differently?

- No, not all. It wasn't your performance.

Well no, because, like, I rehearsed this

four different ways, so we can...

Not your fault, okay?

- It's not...

- Dude, what the f*** you talking about, man?

The footage looks amazing.

It looks...good.

I'll give you that, but its cliche, man.

Look there's a guy in a mask and a girl

getting tied up. We've seen this before.

Yeah, dude, it's f***in' torture porn, man.

People love that sh*t.

Saw made like a hundred million dollars.

Yeah, I don't really care.

I dunno.

I need to rethink the whole third act.

Just wrap everyone, okay?

I need to rewrite the ending.

All right everybody.

That's a wrap for today.

- Really?

- F***, yeah.

Ah, hell, yeah!

Let's go get day-drunk.

Hey, Jen, that was really good.

That was scary.

Thanks.

- Turn that frown upside down.

- Sorry...Can you not film me right now?

All right. So I just logged on to my email,

and I had a message from that YouTube user

that's been messing with me

for the last little while.

Check out what he sent me.

This is a photo of Sean Rogerson

when he was younger.

The woman next to him must be his mother.

It came with a phone number.

It's, ah, local to Washington,

so I'm going to give it a shot.

Maybe it has something to do with his mom.

See what I can find out.

[Phone ringing]

- Hello?

Hi, is this the, ah, Rogerson home?

Yes.

And I'm just trying to get a hold of Sean.

Is he around?

Why do you want to speak to Sean?

Well, I'm doing a thesis project on a film

he was a part of called Grave Encounters.

I'm trying to get an interview with him.

It would be really helpful if you guys... if

I wasn't the only one who was navigating...

Well, you aren't.

The GPS is helping you out.

Well, yeah, a lot of good that did us.

This is why Terminator turned bad.

They don't want to help us.

Computers don't want to help us.

It's just in their nature.

This is it.

It would appear to be.

All right, so what's

this broad's name again?

Delia, Trevor, for the eighteenth time.

And she said that Sean

would be here for sure?

Sean would be here at three o'clock,

he'd be down for an interview.

Let's make it happen.

Ich, ni, san, let's go.

- Jared, you...

- What?

...ah, hold back.

We're going to film this from a wide...

See I don't know why you

brought your camera.

Why'd you bring your camera?

It's for my f***ing documentary,

for the fifteenth time.

- Your documentary doesn't really apply to this scenario.

- Your documentary doesn't apply to this scenario.

That's precisely what my documentary

is about is this scenario...

Shut up!

- Hi.

- Alex?

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