Gabrielle Page #2

Synopsis: Paris shortly before World War I. Wealthy and self-satisfied, Jean Hervey is returning home from work, describing life with his wife of 10 years, Gabrielle; he values her as impassive and stolid. However, that day she's gone, leaving a letter that she's joining a man she loves. Jean is devastated, but within minutes she's returned, telling him that her resolve has failed. Over the next two days, he questions, demands, begs, and parries with her: why did she leave, why did she return, does she love him, did she ever love him, who is her lover, is she passionate with her lover? She's calm as alabaster, reserved. Is she in danger? When she makes an offer, how will he respond?
Genre: Drama, Romance
Director(s): Patrice Chéreau
Production: IFC First Take
  3 wins & 6 nominations.
 
IMDB:
6.3
Metacritic:
79
Rotten Tomatoes:
74%
Year:
2005
90 min
$89,667
155 Views


It was a truly splendid day.

Nothing could possibly go wrong.

The women wore page summer dresses.

The men in their dark suits smiled.

It was like in a magic garden,

where animated flowers smile at bewitched knights.

Madam isn't in.

There was a sumptuous serenity

to it all.

I knew then

that hapiness was the lot

of all mankind,

and I wanted something

of that splendor for myself.

That day.

Gabrielle was crossing a meadow.

Seeing her

l thought nothing could go wrong

in a world of such distinction.

I was proud,

l wanted to grasp it firmly,

get what gratification I could.

That brutal desire seemed suddenly

the most noble of aspirations.

I checked to see

if we were being observed,

I felt inspired.

I spoke to her. I proposed to her.

And I married her. Ten years ago.

GabrieIle is no ordinary woman.

I ove her as a collector

does his most prized item.

Once acquired,

it becomes his so e reason to live.

In t me we came

to know each other enough

for all practice purposes.

That's important.

We have no intimacy, nor need of any.

My desire s appeased.

lt's become a habit.

We share the same bedroom.

l insisted on that much.

I have no need for affairs,

just twin beds and two nightstands,

and Gabrielle in the other bed.

When we die, she will lie

in the grave next to...

Why write when she knows

ill be home for dinner?

A bit ridiculous, isn't it?

"Jean, in a hour I will have left...

"... go to a man...

''...hide it any longer...

"...it mey seem terrible and mad.

"It is terrible and right.

''Forgive me. Goodbye.''

I'M NOT TO BE DISTURBED!

Youre muddy, there.

It's an ugly sight.

Why so silent?

Remorse?

Fear?

What's this letter?

A mistake.

A mistake? Three lines or so?

You leave as note

so theres no turning back,

yet you do.

You, who always knows

the right thing to do...

But here you come back,

the ink still fresh.

l have no time to compose

the appropriate face.

You didn't accustom me to such folly.

There's nothing more to say.

It was honest.

Where's the honesty in all this?

When did you begin to be honest?

What are you now? Still honest?

There's nothing more to tell.

I couldn't do it.

Anyway, the law is on my side.

If at least you he died!

I would have beem offered condolences

and known how to reply.

That's a familar situation.

But no, you come back.

This is very humilliating.

Why on earth would my wife...

A cultured person,

mistress of the house...

throw away respect, comfort,

peace, decency, everything!

For what? For love?

There's no ove in it. It's passion!

Tomorrow every one will know

that you left. and why.

The servants will known tonight.

My wife is a monster,

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Patrice Chéreau

Patrice Chéreau (French: [pa.tʁis ʃe.ʁo]; 2 November 1944 – 7 October 2013) was a French opera and theatre director, filmmaker, actor and producer. In France he is best known for his work for the theatre, internationally for his films La Reine Margot and Intimacy, and for his staging of the Jahrhundertring, the centenary Ring Cycle at the Bayreuth Festival in 1976. Winner of almost twenty movie awards, including the Cannes Jury Prize and the Golden Berlin Bear, Chéreau served as president of the jury at the 2003 Cannes festival. From 1966, he was artistic director of the Public-Theatre in the Parisian suburb of Sartrouville, where in his team were stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot, with whom he collaborated in many later productions. From 1982, he was director of "his own stage" at the Théâtre Nanterre-Amandiers at Nanterre where he staged plays by Jean Racine, Marivaux and Shakespeare as well as works by Jean Genet, Heiner Müller and Bernard-Marie Koltès. He accepted selected opera productions, such as: the first performance of the three-act version of Alban Berg's Lulu, completed by Friedrich Cerha, at the Paris Opera in 1979; Berg's Wozzeck at the Staatsoper Berlin in 1994; Wagner's Tristan und Isolde at La Scala in 2007; Janáček's From the House of the Dead, shown at several festivals and the Metropolitan Opera; and, as his last staging, Elektra by Richard Strauss, first performed at the Aix-en-Provence Festival in July 2013. He was awarded the Europe Theatre Prize in 2008. more…

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Submitted on August 05, 2018

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