Forty Guns Page #4

Synopsis: An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds herself falling, brutally for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunmaker enters the picture, and things go desperately wrong.
 
IMDB:
7.1
APPROVED
Year:
1957
80 min
242 Views


It should be. It came direct from the

attorney general's office in Washington.

Mr. Logan, it's a reflection on you...

for one of your own deputies

to be charged with robbing the mails.

I'm sure he will surrender to the United

States government without resistance.

- Won't you, Mr. Swain?

- What are you talkin' about?

Are you Chief Deputy Swain?

- That's right.

- Then you know what

I'm talking about. Let's go.

You heard Mr. Bonell. Go with him.

One moment, please, Mr. Bonell.

Aren't you afraid of ambush?

I'm always afraid of losing government

property. Keeps me awake nights.

That's hard to believe after

what I've heard about you.

Just as hard for me to swallow

what I've heard about you.

Oh? And just what did you hear?

Would you gentlemen excuse us, please?

The whiskey's in the sideboard.

My reputation is going to suffer.

A deputy charged with robbing

the mails is hard to believe.

And I once arrested a lieutenant governor.

Horse thief.

- Don't forget this.

- I've got lots more of em.

- For my guests?

- Any more of em been robbing the mails?

Now, what do you want?

Logan wears the badge,

but he's afraid of guns.

The job pays well. Percentage

on commissions, and so forth.

And a man could get rich

on the "and so forth." Is that it?

- You offering me the job?

- You wouldn't have any

trouble getting elected.

- With your help?

- With or without my help,

a popular killer like you.

I don't figure the job is my size.

It could be any size you want it to be.

I'm not interested in you, Mr. Bonell.

It's your trademark.

- May I feel it?

- Uh-uh.

- Just curious.

- It might go off in your face.

I'll take a chance.

You could have broken my brother's skull.

I could have, if I tried.

I suppose I should be grateful

you weren't hired to kill him.

I don't kill for hire.

I'm sure you don't kill for fun.

I'm sure you're sure.

You asked for the whiskey.

That's good whiskey, Logan.

You oughta try it.

Whoa.

You check him in, Wes.

I'll see you at the hotel.

I disliked leavin' Miss Drummond's

peaceful dinner party, Mr. Bonell...

but as sheriff, I had to be back here

in my official capacity.

I appreciate that, Sheriff.

Give the prisoner anything he wants.

Room and board's on Uncle Sam.

Swain, I... I can't believe it.

Honest to goodness, a man in your position.

Here you are drawin' clean pay

every month, and you rob the mails.

You oughta go to a head doctor.

Excuse me. Come on.

How long does this...

this idiot got to board with us?

A couple of days, Sheriff.

Mr. Bonell...

Why don't you save the government

some money, hang him right now?

I wish I could, Sheriff,

but it's out of our jurisdiction.

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Samuel Fuller

Samuel Michael Fuller (August 12, 1912 – October 30, 1997) was an American screenwriter, novelist, and film director known for low-budget, understated genre movies with controversial themes, often made outside the conventional studio system. Fuller wrote his first screenplay for Hats Off in 1936, and made his directorial debut with the Western I Shot Jesse James (1949). He would continue to direct several other Westerns and war thrillers throughout the 1950s. Fuller shifted from Westerns and war thrillers in the 1960s with his low-budget thriller Shock Corridor in 1963, followed by the neo-noir The Naked Kiss (1964). He was inactive in filmmaking for most of the 1970s, before writing and directing the war epic The Big Red One (1980), and the experimental White Dog (1982), whose screenplay he co-wrote with Curtis Hanson. more…

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Submitted on August 05, 2018

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