For Ever Mozart Page #3

Synopsis: Jean-Luc Godard's densely packed rumination on the need to create order and beauty in a world ruled by chaos is divided into four distinct but tangentially related stories, including the attempts by a young group of idealists to stage a play in war-torn Sarajevo and an elderly director's efforts to complete his film.
Genre: Comedy, Drama, War
Director(s): Jean-Luc Godard
  1 win & 1 nomination.
 
IMDB:
6.6
Rotten Tomatoes:
56%
NOT RATED
Year:
1996
84 min
276 Views


Defeat of intelligence.

What now?

I'm giving up. I'm tired.

Is Sarajevo far?

Just think...

That's all I do.

"I am but a living stage on which

various actors do various plays. "

Fernando Pessoa.

Yes. Remember his outline for Faust?

Act 1:

War of intelligence against itself.

Act 2:

War of intelligence.

It's the Minister of War.

Of Defense, Sarah.

How's your book?

It's coming along,

Mr Minister of Defense...

but not of the State!

Of the Republic!

Act 4:

War of intelligence against action.

Act 5:

Defeat of intelligence.

I see.

Very few people can see.

I hear, then!

Let's go.

Just another 300 kilometers.

One more cigarette.

Sh*t, he left!

Vichy wasn't the Republic.

But was the Revolution?

And its soldiers?

It helps to use the right words.

Harry, books are crimes.

"And as long as there are hacks

"who scribble away,

"there will be scoundrels

"out to kill. "

Victor Hugo.

Your children

are in Yugoslavia, right?

Her son and his cousin.

- What for?

- To put on Musset in Sarajevo.

With 17 empty theaters in Paris!

Are the poor kids having fun?

What do they hope to find?

A taste of freedom

we're lacking here.

"Freedom? What for?"

You understand,

this is France here.

There, it's America.

She's scared.

Remember those pilots.

We know they were tortured.

Tell her France will help

if necessary.

I see a house!

What is she saying?

I can't hear!

She said:

"The poor will save the world. "

Like us... poor asses.

They'll do it despite themselves.

Just try. Fight.

I saw a house. We're safe.

They'll do it despite themselves.

They'll ask for nothing

in exchange.

They don't know the price

of services rendered.

They'll accomplish

this immense task.

Across the street,

the Vietnamese

made Kissinger yield.

The peace talks.

Nation against State.

You know what de Gaulle said

of the French?

"They live in France.

France lives in me. "

You owe me a favor.

I'll do what I can.

At this table, 40 years ago,

Rosselini finished "Pulcinella".

France won't help.

You say you love me.

And you never lie?

Never.

Yet this maiden has told me

that you do.

What will you say to her,

Perdican,

when she holds

your words against you?

What did I do to make you cry?

I understand Alfred de Musset.

But all her talk

about philosophy...

What's that?

Almost nothing

or...

something I don't know.

Something between the two.

Who is it?

What do you think?

What are we responsible for?

For what we do and for what we

let happen when we can prevent it.

One's active

and the other's passive.

Yes, of unequal importance.

Letting children starve to death,

as we've done

in Africa and elsewhere,

is nothing to be proud about.

Rate this script:4.0 / 1 vote

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement.Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." As a result of such argument, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. In 1964, Godard described his and his colleagues' impact: "We barged into the cinema like cavemen into the Versailles of Louis XV." He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy. Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.In a 2002 Sight & Sound poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted). He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony. Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Brian De Palma, Steven Soderbergh, D. A. Pennebaker, Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.From his father, he is the cousin of Pedro Pablo Kuczynski, former President of Peru. He has been married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Bande à part (1964) and Pierrot le Fou (1965)—was called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine. more…

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Submitted on August 05, 2018

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