Final Destination Page #7

Synopsis: Final Destination is an American horror franchise composed of five films, comic books and novels. It is based on an unproduced spec script by Jeffrey Reddick, originally written for the X-Files television series, and was distributed by New Line Cinema. All five films center around a small group of people that escape impending death when one individual (the protagonist of each film) has a sudden premonition and warns them that they will all die in a terrible mass-casualty accident. After evading their foretold deaths, the survivors are killed one by one in bizarre accidents caused by an unseen force engineering complicated chains of cause and effect, resembling Rube Goldberg machines in their complexity.
Genre: Horror, Thriller
Production: New Line Cinema
  3 wins & 3 nominations.
 
IMDB:
6.7
Metacritic:
36
Rotten Tomatoes:
34%
R
Year:
2000
98 min
Website
1,403 Views


CHRISTA AND BLAKE

You're so sweet. Thanks, Alex.

Alex crames up into the aisles, making his way to Tod, sitting two rows up

in 22 H.

Alex climbs over Tod to take the window seat. Clear Rivers sits in the seat

directly behind Alex.

TOD:

(mouths)

Fag.

ALEX:

C'mon, man, like you really

thought you were tittie f*** 'em

over Greenland, or something?

TOD:

Because of you, I gotta sit

here and watch fuckn' "Stepmom."

As Alex sits, the tray table falls from it's upright position.

He lifts the tray back up, but as he turns the latch, it BREAKS OFF in his

hand. He briefly tries to jimmie the tray into postition, then gives up.

CAMERA FOLLOWS ALEX'S HAND as it rises. CAMERA SWEEPS IN EXTREAMLY CLOSE to

the ATTENDANT CALL BUTTON. As Alex's finger engages the button, it lights up

orange.

ALEX:

The jet lurches. He looks...

OUT OF THE WINDOW - ALEX'S POV

The 747 begins rolling out of the gate.

ALEX:

As he looks back, searching for the nearst flight attendant...

ALEX'S POV - THROUGH THE SEATS - CLEAR RIVERS

reads her book. Another leans to look out the window.

ALEX:

lifts a bit out of his seat, searching for any flight attendant O.S., A

PING.

CAPTAIN (V.O)

Flight Attendants prepare for

departure.

Looking fore in the cabin...

ALEX'S POV - NEAR THE FLIGHT DECK

The flight attendants strap themselves in for take-off.

ALEX:

O.S., the ENGINE VLOUME INCREASES in PITCH and INTENSITY as the jet begins

to taxi. Alex sits back as the tray over his lap. He looks out the window.

ALEX'S POV - THE RIGHT WING

appears motionless in the f.g. as the tarmac and runway signs roll past the

window. THE ENGINE PITCH RISES...

ALEX:

The ENGINES WHIR as the jet gathers SPEED. He checks the window.

ALEX'S POV- THE RUNWAY

is a blur. The airport terminals in the b.g. streak past. The wings lift,

angeled as the jets leaves the ground.

ALEX:

O.S., hois classmates CHEER and "raise the roof." The trip has begun.

CAMERA PULLS AWAY FROM ALEX, as if reflecting his easing of annoyance with

the tray situation. He finally appears to notice the raucous reaction and

settles back in his seat, slightly pushed by mild-g force. The upwarding

angle increasing...

The cabin buffets, as if passing mild turbulance. Then...

The cabin sharply JOLTS! Everyone tenses, GASPS. CAMERA SWEEPS BACK TO ALEX.

And just as he clenches his backpack... the cabin BANGS, ROCKS. THE ENGINES

SPOOL TO A STALL. METAL TWISTS under extreme PRESSURE. The cabin dips,

angles, sharply to the right.

ALEX'S POV - THE CABIN

Passengers SCREAM! Unrestrained personal belongings fly across the aircraft

INTO CAMERA, which BUFFETS and SHAKES...

Rate this script:2.0 / 1 vote

Glen Morgan

Morgan was born in Syracuse, New York, and moved to El Cajon, California at the age of 14. While attending El Cajon Valley High School, he met James Wong, who would become his friend and professional partner. Both enrolled at Loyola Marymount University, graduating from the School of Film and Television in 1983, and afterward, wrote many scripts together. Morgan did not want to work on television at first, but wound up accepting a job on 21 Jump Street, which would later earn he and Wong a steady job at Stephen J. Cannell Productions. As Morgan was about to leave the company following scripts for The Commish in 1992, his former boss at Cannell, Peter Roth, invited him to work on a show being developed at 20th Television, The X-Files. more…

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Submitted by aviv on January 26, 2017

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