Fathers and Daughters Page #4

Year:
2015
412 Views


- F? R those students who show talent.

D? ? r "talent" genes? st defined.

Katie can b? RJA n? First week.

Can you b? RJA n? First semester?

I can absolutely.

Thanks.

Do you know what my favorite thing? R?

It is right here - that f? LJA you to school.

I work.

- Hall??

- Hey, Jake, it? S Elizabeth.

Hello, Elizabeth.

Hi. I'm calling f? R to invite you home

and Katie P? dinner.

Whenever you?

- How do l? Best Thursday?

- No, d? I have a f? rfattarpanel.

L? Rdag? Dottie g? R k? Ttf? Rslimpa,

Katie's favorite.

How fun. But p? l? rdag are we

to the park and she's become? tr? tt.

Jake, stop arguing with me.

Katie lived with us for a? R.

The boys miss her some thing terrible,

just like William and me.

- Are you going on? dinner or not?

- I said yes.

But d? s ?. We beast? Mmer one day

that works f? r you.

Elizabeth, I'm writing right now.

Can I call you later? Thanks.

Come in.

- Hello.

- Hello.

- I have a gift for you.

- But it beh? Vs. not.

You thought v? L did not I constantly

p? the hospital only others? ups baskets?

"Bitter Tulips"?

I like the title.

-? Is it good?

- The b? Sta I have written.

- Really?

- S? Kert.

Your j? Vel.

- I have the s? Ld f're lunch.

- Good, cause I? S broke.

It? S called? Nt the l? MNA office

and see the ducks g? ra that they now g? r.

In my n? Best Life

I want to f? das as duck.

You can fly, you can swim.

One can QUACK.

It would be nice.

She sat d? R and h? Ll my hand.

She h? Ll my hand.

- Where h? Nde the h? R?

- P? my office.

- But ... she was not talking?

- No.

I move her to Dr. Weinberg.

- We? P? vippen.

-? Is it a week, a month-, a? R?

- We g? S progress.

- I'm sorry, Katie.

- It? S not r? Ttvist.

- Yes.

S? G to Lucy

Tuesday's m? tea will be your last.

And that at the end of m? Tet

s? will Dr. Weinberg in and hour? LSAR.

We? S clear right here.

You can st? Ll into the shelf?

Thanks.

Lucy, I've had n? Gra

amazing in months with you.

It was an n? Ks

to l? ra k? NNA you-

- And that l? Sa and play

and draw and m? la.

I told my v? N and colleague Carla

as? J? ttetrevlig how much fun we have.

She also wants? play with you.

She wants j? Tteg? RNA tr? FFA you

and will be here soon and s? offers hello.

N? Sta g? Ng you please

be with her in pieces? llet f? r me.

No.

I want to be with you.

Dad!

Hey! How? S that?

I have a J? Ttegod news.

- Daddy's? Lde a book today.

-? Is it good?

Are you kidding?

It? S V? Rldens b? Sta news!

It means you can f?

just the toy form.

I want a pink bike with everything.

D? Let's go and k? at!

The cycle will you f ?!

H'll balance by looking up? T.

S? d? r yes. The g? R j? Ttebra.

It? S just you. It? S just you.

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Ronald M. Cohen

Ronald M. Cohen (December 23, 1939, Chicago, Illinois – April 21, 1998, Los Angeles, California) was a US American screen writer and film producer. His screenwriting career started in the 1960s and he studied Film at New York University. His screenwriting career encompassed Blue (1968 film), the 1977 film Twilight's Last Gleaming and the 1984 TV series Call to Glory. In 1977 he wrote a script for the movie adaption of Lothar-Günther Buchheims novel Das Boot, but it was rejected by Buchheim. For his screenwriting for the Series American Dream he was nominated for an Emmy in 1981. His last finished work was the screenwriting for the successful 1997 TV film Last Stand at Saber River starring Tom Selleck. He was in a relationship with actress Julie Adams. more…

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Submitted on August 05, 2018

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