Fanny and Alexander Page #3

Synopsis: It's the early twentieth century Sweden. Adolescent siblings Alexander and Fanny Ekdahl lead a relatively joyous and exuberant life with their well-off extended paternal family, led by the family matriarch, their grandmother, Helena Ekdahl. The openness of the family culture is exemplified by Helena's now deceased husband ending up becoming best friends with one of her lovers, a Jewish puppet maker named Isak Jacobi, and their Uncle Gustav Adolf's open liaison with one of the family maids, Maj, who everyone in the family adores, even Gustav Adolf's wife, Alma. Between the siblings, Alexander in particular has inherited the family's love of storytelling, his parents and his grandmother who are actors and who manage their own theater. Things change for Alexander and Fanny when their father, Oscar, dies shortly after Christmas 1907. Although she truly does believe she loves him, the children's mother, Emilie, decides to marry Bishop Edvard Vergérus, who she first met as the officiate at O
Genre: Drama
Director(s): Ingmar Bergman
Production: Embassy Pictures Corporation
  Won 4 Oscars. Another 19 wins & 10 nominations.
 
IMDB:
8.1
Metacritic:
100
Rotten Tomatoes:
100%
R
Year:
1982
188 min
2,916 Views


he married...

How could Carl have fallen for her?

There must be an erotic attraction.

- What do you think?

- Erotic? I suppose so...

You're not listening.

That's all right, the main thing

is that you keep me company.

Carl and Gustav Adolf are oversexed,

they take after their father.

He was oversexed.

At times it was too much of a good

thing, but I never turned him away.

Gustav Adolf is hopeless. I've spoken

to Alma and she ever so wisely says

that his philandering doesn't bother

her, since he's such a good husband.

It's fortunate

that Alma is so accommodating.

Perhaps I ought to warn that girl...

Maj, or whatever her name is.

She's very pretty,

and so good with the children.

Nice colouring, neat figure...

It's a pity she limps, poor thing.

Are you sad

because you've grown old, lsak?

No, absolutely not.

Things just keep getting worse.

The people, the machines, the wars...

Even the weather.

- I'm glad I'll soon be dead.

- You're an incorrigible misanthrope.

- As ever. But I don't agree with you.

- I thought as much.

That doesn't stop me

from weeping, though.

Would you mind terribly

if I weep for a while?

Upon my soul, I can't.

The tears won't come.

I'd better have some more brandy.

What's so amusing?

Remember when we sat

on that sofa over there, madly kissing?

You had unbuttoned my blouse...

Then suddenly that curtain was pulled

aside and my husband stood there.

It was just like a farce by Feydeau.

I screamed,

and you made for the door.

He rushed off to get his gun

with me clutching his leg.

And then the two of you

became friends for life.

Your husband

was a magnanimous man.

See, now I can weep...

The joyful splendid days are over,

and all that's left

is sordid and terrible.

That's the way of it...

No, this won't do at all, dear sir...

I shall wash and put on my face.

I'll do my hair and

put on my stays and a silk dress.

A pining old woman

will transform herself

into a self-possessed grandmother.

We play our parts, you see.

Some play them carelessly,

other play them with great care.

I belong to the latter category.

Good night, my lovely Helen.

You were such a sweet lover.

As sweet as wild strawberries.

You asked me to help you with your

morning toilette, madam, and it's 4:50.

A coffee shop at a nice location.

Your own cakes, pastries, tarts...

...and confections.

What do you say, my sweet?

Doesn't that appeal to you?

You'd be in charge of everything.

Only yesterday I said to Alma:

"Look at Maj, she's a princess."

What luscious breasts you have.

Let me take a proper look.

Oh, you drive me crazy!

Don't be afraid, I'm a wonderful lover.

All women say that.

Once you've had your way with me,

Rate this script:3.8 / 4 votes

Ingmar Bergman

Ernst Ingmar Bergman (Swedish pronunciation: [ˈɪŋmar ˈbærjman] ( listen); 14 July 1918 – 30 July 2007) was a Swedish director, writer, and producer who worked in film, television, theatre and radio. Considered to be among the most accomplished and influential filmmakers of all time, Bergman's renowned works include Smiles of a Summer Night (1955), The Seventh Seal (1957), Wild Strawberries (1957), The Silence (1963), Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), and Fanny and Alexander (1982). Bergman directed over sixty films and documentaries for cinematic release and for television, most of which he also wrote. He also directed over 170 plays. From 1953, he forged a powerful creative partnership with his full-time cinematographer Sven Nykvist. Among his company of actors were Harriet and Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Erland Josephson, Ingrid Thulin and Max von Sydow. Most of his films were set in Sweden, and numerous films from Through a Glass Darkly (1961) onward were filmed on the island of Fårö. His work often deals with death, illness, faith, betrayal, bleakness and insanity. Philip French referred to Bergman as "one of the greatest artists of the 20th century [...] he found in literature and the performing arts a way of both recreating and questioning the human condition." Mick LaSalle argued, "Like Virginia Woolf and James Joyce in literature, Ingmar Bergman strove to capture and illuminate the mystery, ecstasy and fullness of life, by concentrating on individual consciousness and essential moments." more…

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Submitted on August 05, 2018

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