Fahrenheit 451 Page #5

Synopsis: Based on the 1951 Ray Bradbury novel of the same name. Guy Montag is a firefighter who lives in a lonely, isolated society where books have been outlawed by a government fearing an independent-thinking public. It is the duty of firefighters to burn any books on sight or said collections that have been reported by informants. People in this society including Montag's wife are drugged into compliancy and get their information from wall-length television screens. After Montag falls in love with book-hoarding Clarisse, he begins to read confiscated books. It is through this relationship that he begins to question the government's motives behind book-burning. Montag is soon found out, and he must decide whether to return to his job or run away knowing full well the consequences that he could face if captured.
Genre: Drama, Sci-Fi
Director(s): François Truffaut
Production: Universal Pictures
  Nominated for 1 BAFTA Film Award. Another 2 nominations.
 
IMDB:
7.3
Rotten Tomatoes:
82%
NOT RATED
Year:
1966
112 min
4,571 Views


AND FOOTBALL ?

WONDERFUL, SIR.

BILLIARDS ?

BASKETBALL ?

OH, THEY'RE ALL

VERY FINE SPORTS, SIR.

THEN INCREASE THE DOSAGE.

MORE SPORTS FOR EVERYONE,

HMM ?

STRENGTHEN THE GROUP SPIRIT.

ORGANIZE THE FUN. HMM ?

JUST KEEP THEM BUSY,

AND YOU KEEP THEM HAPPY.

THAT'S WHAT MATTERS.

HMM ?

AM I RIGHT ?

ABSOLUTELY, SIR.

WELL, SHALL WE TALK A LITTLE

ABOUT THIS PROMOTION OF YOURS ?

YOU HAVE MENTIONED

THE POSSIBILITY TO YOUR WIFE ?

- YES, SIR.

- AND HER REACTION ?

SHE THOUGHT WE MIGHT BE ABLE

TO HAVE A SECOND WALL-SCREEN.

OH, YOU ONLY HAVE

THE ONE WALL CONVERTED. I SEE.

THESE MATTERS OF PROMOTION

ARE MUCH MORE IMPORTAN TO A MARRIED MAN, AREN'T THEY ?

I GUESS SO, SIR.

MONTAG... YOU HAVE

NO CHILDREN, I BELIEVE.

NO, SIR.

WE HAVE NO CHILDREN.

WELL, THEN, A COMMISSION

SEEMS IN ORDER.

I CAN'T SEE ANY REASON OFFHAND

WHY IT SHOULDN'T GO THROUGH.

YOU UNDERSTAND, OF COURSE,

WITH THE NEW AMENDMEN TO THE LAW, WE MUST EXPEC TO BE WORKED REALLY VERY HARD.

VERY HARD, INDEED,

UNTIL WE CAN ARRANGE

FOR NEW VOLUNTEERS

TO BE DRAFTED.

YES, SIR, I HEARD THE MEN

TALKING ABOUT IT.

HOW LONG HAVE YOU BEEN WITH US ?

FOR SIX YEARS, SIR.

YES, FOR SIX YEARS.

NO, NO, NO,

FOR FIVE YEARS, SIR.

FOR FIVE YEARS.

MONTAG HAS ONE QUALITY

I APPRECIATE GREATLY.

HE SAYS VERY LITTLE.

HAVE YOU SEEN:

MY PERSONAL MEDALLION ?

IT'S A REMARKABLE LIKENESS.

YOU MUST REMIND ME TO LET YOU

HAVE ONE SOMETIME.

NOW, LET'S GET BACK

TO THIS PROMOTION OF YOURS.

I'VE BEEN LOOKING

THROUGH YOUR FILE.

THERE ARE ONLY SIX BACK VIEWS.

WE NEED 12 OF THEM, YOU KNOW.

TWO SETS OF SIX.

REMEMBER THAT, MONTAG.

[ High-pitched Tone ]

[ Tone Continues ]

[ Tone Continues ]

LINDA ?

LINDA !

[ Tone Continues ]

[ Woman ]

HOSPITAL LISTENING.

YES, IT'S ABOUT MY WIFE.

SHE--

NAME AND ADDRESS.

UH... MONTAG.

BLOCK 813.

813 ?

UH, JUST A MOMENT.

[ Tone Continues ]

[ Tone Stops ]

HELLO ?

I JUST CAME HOME FROM WORK,

YES.

AND I FOUND HER:

ON THE FLOOR UNCONSCIOUS.

DOES SHE TAKE PILLS ?

OF COURSE !

YESTERDAY, SHE--

JUST A MOMENT.

I'LL CONNECT YOU

WITH POISONING SECTION.

YES.

[ Man ]

POISONING LISTENING.

IT'S ABOUT MY WIFE. SHE--

NAME AND ADDRESS.

UH, MONTAG.

BLOCK 813.

WHAT KIND OF PILLS ?

OH...

UH, JUST A MOMENT.

HELLO ?

YES ?

THEY ARE RED.

OH, AND RED NUMBER TWO.

OH, IT'S A STIMULANT.

IT'S HARMLESS.

SHE'S PROBABLY TAKEN

THE WRONG KIND OF SEDATIVE

ON TOP OF THAT.

OH, JUST A MOMENT.

HELLO ?

YES, LISTENING.

OH, YES, THEY ARE

GOLDEN NUMBER EIGHT.

RIGHT. STAY CLOSE TO HER.

THE AMBULANCE IS ON ITS WAY.

FOUR MINUTES.

WHAT SHOULD I DO

IN THE MEANTIME ?

NOTHING.

WHERE IS THE DOCTOR ?

WHAT DOCTOR ?

THE DOCTOR THA TOOK CARE OF MY WIFE.

NO DOCTORS ON THESE JOBS.

Rate this script:3.0 / 1 vote

François Truffaut

François Roland Truffaut (French: [fʁɑ̃.swa ʁɔ.lɑ̃ tʁyfo]; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic, as well as one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film The 400 Blows came to be a defining film of the French New Wave movement, and was followed by four sequels, Antoine et Colette, Stolen Kisses, Bed and Board, and Love on the Run between 1958 and 1979. Truffaut's 1973 film Day for Night earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include Shoot the Piano Player (1960), Jules et Jim (1961), The Wild Child (1970), Two English Girls (1971), and The Woman Next Door (1981). more…

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Submitted on August 05, 2018

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