Excess Baggage Page #7

Synopsis: A spoiled young woman, desperate for attention from her millionaire father (Jack Thompson), Emily Hope (Alicia Silverstone) fakes her own abduction to shift his focus her way. The so-called kidnapping turns real, however, when auto thief Vincent Roche (Benicio Del Toro) makes off with a car and discovers Emily, who had locked herself inside the trunk. As Vincent tries to figure out what to do with his unexpected guest, Emily begins to fall for the charming felon.
Genre: Action, Comedy, Crime
Production: Sony Pictures Home Entertainment
  2 wins & 3 nominations.
 
IMDB:
5.3
Metacritic:
34
Rotten Tomatoes:
32%
PG-13
Year:
1997
101 min
700 Views


DISSOLVE TO:

EXT. MILITARY SCHOOL - DAY (FLASHBACK)

Impeccable grounds, impeccable buildings -- except for one,the corner of which has been reduced to rubble by an explosion, if the burnmarks are any indication.

Thomas Perkins, hands clasped behind his back, rolls forwardand backward on the balls of his feet, studying the rubble.

Emily (young) stands beside him, dressed "academy," suitcaseby her feet, and grins, proud.

PERKINS:

You're lucky no one was in there.

Emily's offended.

YOUNG EMILY:

That wasn't luck. I called.

PERKINS:

Voice I.D.

Emily grimaces chagrin.

YOUNG EMILY:

That won't happen again.

Thomas lifts her suitcase and strides across impeccablelawn, towards a faraway and expensive automobile with tinted windows.

PERKINS:

You won't call? Awful messy, when bodies blow.

She stumps along at his side.

YOUNG EMILY:

I won't use a cold phone.

PERKINS:

Emily, if we could keep you in school long enoughto get an education, you'd have a real future in Secret Service.

They're at the car. He opens the passenger door for her.She pulls out a cigarette and lights up.

YOUNG EMILY:

I don't need a future. I'm rich.

Thomas plucks the cigarette from her mouth, grinds it underhis heel, and extends his open palm, waiting.

She glares, sighs, and hands over the pack.

INT. PERKINS' DISCREET AUTOMOBILE - DAY (FLASHBACK CONT'D)

Thomas drives. Young Emily broods in injured silence.

YOUNG EMILY:

He could have come. Probably playing with thosedamn trees.

PERKINS:

Maybe he doesn't appreciate paying for a new wing.

Injured silence.

PERKINS (CONT'D)

You know what this means.

YOUNG EMILY:

Uh oh.

PERKINS:

Back to Catholic school.

YOUNG EMILY:

Nuns? Again?

PERKINS:

It's going to take a while for me to get you inanywhere else.

YOUNG EMILY:

Nuns are the worst.

PERKINS:

Look in the glove box.

Emily brightens and digs, coming up with a gift wrappedbox.

PERKINS (CONT'D)

Happy Birthday, Emily.

Emily shoots him a grateful smile, reads the card, grimaces.

YOUNG EMILY:

Thank you, Uncle Thomas.

PERKINS:

It's from your father.

YOUNG EMILY:

It's a nice lie. Thanks for remembering.

She tears wrapping.

PERKINS:

You're locked in a room. What do you do?

YOUNG EMILY:

Check windows.

PERKINS:

The windows are barred.

YOUNG EMILY:

Check doors.

PERKINS:

The doors are locked.

YOUNG EMILY:

Check the ceiling.

This is a very old routine, almost sing song.

PERKINS:

Ceiling's clean.

Emily lifts a delicate necklace from the wrapping.

YOUNG EMILY:

This is beautiful, Uncle Thomas.

She leans over, kisses his cheek.

YOUNG EMILY (CONT'D)

Thank you.

PERKINS:

Ceiling.

YOUNG EMILY:

I don't want to play today.

Silence.

YOUNG EMILY (CONT'D)

Why don't you take me out to dinner, Uncle Thomas?

Rate this script:4.5 / 2 votes

Max D. Adams

Max Adams is an author and screenwriter. Winner of a Nicholl Fellowship in Screenwriting and an Austin Film Festival screenwriting award, Adams went on to be dubbed “Red Hot Adams” by Daily Variety and has worked with Columbia Pictures, Hollywood Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures — among others. Adams is the founder of two international online screenwriting workshops, The Left Door and 5150, is the author of The New Screenwriter’s Survival Guide, is a University of Utah adjunct professor, is a former WGA online mentor, and is the founder of The Academy of Film Writing. Her produced feature films include Excess Baggage, The Ladykillers, One For the Money and she most recently appeared in Tony Tarantino’s Underbelly Blues. more…

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