Excess Baggage Page #5

Synopsis: A spoiled young woman, desperate for attention from her millionaire father (Jack Thompson), Emily Hope (Alicia Silverstone) fakes her own abduction to shift his focus her way. The so-called kidnapping turns real, however, when auto thief Vincent Roche (Benicio Del Toro) makes off with a car and discovers Emily, who had locked herself inside the trunk. As Vincent tries to figure out what to do with his unexpected guest, Emily begins to fall for the charming felon.
Genre: Action, Comedy, Crime
Production: Sony Pictures Home Entertainment
  2 wins & 3 nominations.
 
IMDB:
5.3
Metacritic:
34
Rotten Tomatoes:
32%
PG-13
Year:
1997
101 min
684 Views


PERKINS:

You called the police.

AMADEUS:

No. They called the police.

PERKINS:

They.

AMADEUS:

Yes.

PERKINS:

Well she's got your attention now, hasn't she?

Amadeus shoots him a dour glance.

AMADEUS:

I fail to see the humor in the situation, Thomas.There's a precedent at stake here.

Thomas snorts again -- no way is he believing this.

AMADEUS (CONT'D)

The police informed me a man drove her car awayfrom the pick-up zone.

Thomas frowns -- less sure of himself.

PERKINS:

An accomplice? That doesn't sound like Emily.

A peremptory KNOCK and Dan Sims pushes into the study. Thomasturns, giving Sims a view of the back of his head and not much else.

SIMS:

Mr. Hope, I'd love to answer phones in your foyerall day, but this man --

Sims glowers at Thomas's back.

SIMS (CONT'D)

-- is not on my roster of household staff -- orguests.

AMADEUS:

Mr. Perkins is a private associate, Detective Sims.He'll be taking over.

SIMS:

Excuse me?

AMADEUS:

Your services are no longer necessary, DetectiveSims. If you WILL excuse us?

Amadeus drops another nothing into the waste basket -- amove not lost on Sims.

SIMS:

We are not a cleaning service, Mr. Hope. We arethe police.

Amadeus stares blankly, like "what's the difference?"

PERKINS:

I think what Detective Sims is trying to say, Amadeus,is you can't fire the police.

SIMS:

Exactly.

AMADEUS:

(to Perkins)

Are you sure about this?

Perkins nods solemnly.

AMADEUS (CONT'D)

Very well, Detective Sims may maintain surveillance.

Sims chokes.

SIMS:

I. May.

AMADEUS:

(to Sims)

That will be all, Detective Sims.

Sims stands his ground, mutely refusing dismissal.

AMADEUS (CONT'D)

Unless you'd like to discuss the money.

SIMS:

I'll be in the foyer.

Sims spins for the door -- the door handle fights him.

AMADEUS:

Turn to the right, Detective Sims.

Sims, crimson, turns to the right.

AMADEUS (CONT'D)

And Detective Sims? If you're going to remain afixture in this household, speak to my assistant -- he'll cut youa wardrobe check.

The door slams behind Sims.

AMADEUS (CONT'D)

Nobody holds me hostage.

Perkins stares into a glass case -- one of those pedestaljobs you find museum displays in, but this holds photographs:

Emily at three; Emily at the military academy; Emily atgraduation; Emily at a high powered reception beside her father -- ThomasPerkins loves that little girl.

PERKINS:

We'll make that clear.

INT. AMADEUS'S ANTEROOM/OFF THE STUDY - EVENING

Wires run from phones to phones to black boxes -- presumablythe latest in police tech surveillance -- monitored by bleary eyed COPS.

Amadeus's ASSISTANT attempts to work around the squad roomsqualor.

Rate this script:4.5 / 2 votes

Max D. Adams

Max Adams is an author and screenwriter. Winner of a Nicholl Fellowship in Screenwriting and an Austin Film Festival screenwriting award, Adams went on to be dubbed “Red Hot Adams” by Daily Variety and has worked with Columbia Pictures, Hollywood Pictures, Touchstone Pictures, Universal Pictures, Walt Disney Studios, and Tri-Star Pictures — among others. Adams is the founder of two international online screenwriting workshops, The Left Door and 5150, is the author of The New Screenwriter’s Survival Guide, is a University of Utah adjunct professor, is a former WGA online mentor, and is the founder of The Academy of Film Writing. Her produced feature films include Excess Baggage, The Ladykillers, One For the Money and she most recently appeared in Tony Tarantino’s Underbelly Blues. more…

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