Eros Page #3

Synopsis: A three-part anthology film about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; and a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.
Genre: Drama, Romance
Production: Warner Independent Pictures
  1 win.
 
IMDB:
6.0
Metacritic:
51
Rotten Tomatoes:
33%
R
Year:
2004
104 min
$53,666
Website
691 Views


Exactly.

Now, there are several ways that can

help reduce anxiety.

The first and lie down on it

the bed he sees them.

On that bed?

- Yes, precisely that.

Just that she rests her head on a

extreme and stretches his feet on the other.

And it works with people,

the bed?

I can assure you that I had

a great success with that bed.

I hide my shoes?

- Yes, it makes as it is more convenient.

All right. Yes, I do not see it.

It is part of the game?

Yes, we do not want to overload

Sensory.

His mind must be free.

Better if I close my eyes?

- I find that helps a lot.

Why am I seeing things

to the smallest detail.

E 'likely to be a good idea,

if I close my eyes for a while ', right?

Yes, that is just close your eyes.

- Okay.

Sometimes I imagine being a man

without responsibility.

It 'very interesting.

But a part of me rather likes.

Now I want to talk to me

of his dream.

Okay.

But first, take a deep breath

and return at the beginning of the dream.

After them came,

stopping only for a moment and

concentrate on the first image.

We? E 'at the beginning?

- Yes

Tell me what the first and

what he sees.

ll face of a woman.

Able to see the woman

at this time?

Yes

- Good.

Where are you? You are very close

or you are away?

We are in the next bed. It 'just,

sa short, and soon after.

Caresses my cheek.

Well. Then,

then you are very close.

Think for a moment

how it feels lying there.

How do you feel?

Well.

- Good.

Then what happens?

She looks at me with a smile

curious e. ..

Man goes to the bathroom.

Open the tap of the tank

and makes the water run.

And 'here that I realize that we are,

we are already in this room.

I describe. How?

It sounds like a hotel room.

It does not seem a place where

abita someone.

The only personal effects

belong to us.

When I hear the water flowing

I think:

''Oh, I like that you are

to get the bathroom''and I ...

I begin to imagine

while preparing e. ..

and is Strucchi ...

and then pulls on the hair.

I am so, si!

I am so excited thinking about it.

So, I decide that when

feel close to the water, andro ...

I will lift soon and I andro

a slip in the tub with her.

And that and the phone rings.

Who thinks that might be?

- I do not know.

Not afraid of being discovered?

- No.

Even a minimal sense of

guilt?

No.

- Not even a crumb?

No. No guilt.

Then what happens?

Faces from the bath and I launched

a look to say:

''we have better things to do

that respond to a phone?''

From reading the note in the mirror.

There is a bathroom ...

leaves the tank

and dries all of you ...

Oh, God, then climbs on

sink in front of a mirror.

E 'un gatto,

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Michelangelo Antonioni

Michelangelo Antonioni, Cavaliere di Gran Croce OMRI (29 September 1912 – 30 July 2007), was an Italian film director, screenwriter, editor, and short story author. Best known for his "trilogy on modernity and its discontents" — L'Avventura (1960), La Notte (1961), and L'Eclisse (1962), as well as the English-language Blowup (1966), Antonioni "redefined the concept of narrative cinema" and challenged traditional approaches to storytelling, realism, drama, and the world at large. He produced "enigmatic and intricate mood pieces" and rejected action in favor of contemplation, focusing on image and design over character and story. His films defined a "cinema of possibilities".Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize (1960, 1962), Palme d'Or (1966), and 35th Anniversary Prize (1982); the Venice Film Festival Silver Lion (1955), Golden Lion (1964), FIPRESCI Prize (1964, 1995), and Pietro Bianchi Award (1998); the Italian National Syndicate of Film Journalists Silver Ribbon eight times; and an honorary Academy Award in 1995. He is one of three directors to have won the Palme d'Or, the Golden Lion and the Golden Bear, and the only director to have won these three and the Golden Leopard. more…

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Submitted on August 05, 2018

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