Entrapment Page #4
GIN:
He left the window open when he came in.
His only mistake.
Cruz is with her now.
CRUZ:
The draft blew over the flowers.
GIN:
Put the bolts on that window under a
scope. I'm betting you'll find wrench
scratches on them.
CRUZ:
Here's a dollar. Buy yourself a cup of
coffee.
GIN:
Keep digging. I'm going to tell you who
did it.
He fishes in his pocket for more money. She hits the remote,
changing the monitor to:
INT. SOTHEBY'S - DAY
The Auction House is filled with buyers.
GIN (V.O.)
Four weeks ago, when our client bought
the painting.
Paintings on the block. We recognize our REMBRANDT.
GIN:
Bathsheba reading King David's letter...
She hits a button. The view SNAPS to tight resolution. The
image of ROBERT MACDOUGAL, 60: tall, wide shoulders, the
build of an ex-sailor and the elegance of a diplomat. Between
him and Cruz is some ancient enmity.
CRUZ:
Robert MacDougal.
He says the name like Ahab when talking about Moby Dick.
GIN:
He marked the buyer, then stole the
painting a month later.
CRUZ:
Look at that smile. I hate that smile.
GIN:
And let's not forget the calling card-
She hits the remote again, back to the crime scene. The image
of Elvis in the Rembrandt frame appears.
GIN:
(continuing)
Elvis has not left the building.
CRUZ:
I don't buy it. MacDougal's a Frank
Sinatra kind of guy. Besides, every art
thief from Oslo to Copenhagen imitates
his m.o.
GIN:
Copies are copies. This is a MacDougal. I
can feel it.
CRUZ:
You can "feel" it.
But it's better than anything else he has, so he reaches for
the phone.
CRUZ (cont'd)
All right. I'll get in touch with London
and Geneva, get Europol and the ALR on
it.
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"Entrapment" Scripts.com. STANDS4 LLC, 2024. Web. 2 May 2024. <https://www.scripts.com/script/entrapment_393>.
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