Django Page #4

Synopsis: In the opening scene a lone man walks, behind him he drags a coffin. That man is Django. He rescues a woman from bandits and, later, arrives in a town ravaged by the same bandits. The scene for confrontation is set. But why does he drag that coffin everywhere and who, or what, is in it?
Genre: Action, Western
Director(s): Sergio Corbucci
Production: Rialto Pictures
 
IMDB:
7.3
Rotten Tomatoes:
92%
NOT RATED
Year:
1966
91 min
$25,097
Website
901 Views


l last saw your dirty face!

This is Django.

A deserter, thief, loner,

and more than a friend!

Now we are even.

Calm down, Ricardo!

l owe Django a lot!

Just for having saved your life once

in prison. And also for the woman.

l brought her back to you, Hugo.

She is in good condition.

Take her back.

She is not my woman.

She is just one woman.

l'm thirsty. We have to

celebrate our meeting!

To your health, Django!

To the death of Jackson's pigs!

Long live the revolution!

To your death, Jackson!

Those pigs aren't here anymore.

He killed them all.

You were able to kill

all those bastards yourself?

That's impossible!

How did you do that, Django?

lt wasn't very difficult.

lf you had been in my place,

you would have done the same.

Of course.

But my men are tired.

They would all want to go home.

But in Mexico the government

is waiting for us.

And we don't have enough weapons

to fight against them.

Of course.

But l could help you, Hugo.

How?

Look at that!

Oh, Mother of God!

This toy is worth 150 guns.

That's the way l exterminated

the Major's men.

What type of weapon is this?

Get out of the way, men.

You could get hurt.

No! Don't do it, Django! l beg you!

These are the kind of weapons

l would need!

With ten of these it would be easy

to go back to Mexico. Right, Hugo?

Where are the other nine?

They are in Pecos waiting

to be bought.

l know the man who sells them.

Thank you for the information, Django.

But our revolution is a poor one.

lf you are poor, you have to

try to become rich.

That's the only way you can win.

Did you come here to pull my leg?

No, l came here to help you

and to get help.

Well, explain yourself!

At the fort there is gold for you

and for me.

The fort is very far from the border.

l can't return to Mexico...

...at least not until l have

the 10 machineguns.

Plus, those brutes of the government

have far more men than us.

Every Saturday Nathaniel takes his

carriage with women over the border...

...and he visits the men at the fort.

lsn't that true, old man?

Yeah, yeah.

Explain yourself better, Django.

This week Jackson will go to the fort

as well, to set his foot in Mexico.

That's why l kept him alive.

l want the gold more than

l want his death.

And that gold will be ours!

Understood?

Understood!

But how?

lt will be difficult, that's for sure.

But with the help of my toy

it will also be fun.

The women have arrived!

Finally, they have arrived!

lt's about time!

The women are here! The women!

Let's go, women!

Come on, step down!

Let them step out.

There they are, great!

Let's go! Over there!

Pigs!

Cowards!

Let's go!

Come on! Charge!

Let's go, Ricardo!

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Sergio Corbucci

Sergio Corbucci (Italian: [ˈsɛrdʒo korˈbuttʃi]; 6 December 1926 – 1 December 1990) was an Italian film director. He is best known both for his very violent spaghetti westerns and bloodless Bud Spencer and Terence Hill action comedies. He is the older brother of screenwriter and film director Bruno Corbucci. more…

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Submitted on August 05, 2018

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