Dillinger Page #3

Synopsis: The rise of John Dillinger from petty criminal (including, unforgivably, holding up a cinema) via prison and bank robbery with his new convict associates to the accolade of Public Enemy Number One.
Director(s): Max Nosseck
Production: Scott Entertainment
 
IMDB:
6.6
APPROVED
Year:
1945
70 min
61 Views


- I told you he was a phony. I told you.

- Shut up.

The white cross.

We gotta watch for a white cross.

There ain't no white cross.

All we got is a double-cross.

Your pal, huh?

- What are we going to do?

- Keep your mouth shut and your eyes open.

Hey, heads up down there!

Why don't you eat?

- Who can eat?

- It ain't bad.

Why you keep looking at the sun

all the time for?

- There isn't much more time.

- I told you, I told you.

- It's all yours, Max.

- Okay.

Unload it, boys.

Hey!

Pick that shovel up

and put it down right.

Yes, sir.

Kirk, Doc, get up there.

This is it.

We'll take it up again.

What did you put that barrel back for?

All right, boys.

Calling all cars, calling all cars,

be on the lookout for a black sedan.

Bandits heavily armed.

They got us pegged. They got us.

- It was bound to happen.

- We're pulling too many jobs.

That's it, we're pulling too many jobs.

It was that assistant cashier.

He spotted us.

I could have taken care of him,

if you hadn't stopped me.

You're a little too free

with the gun, John.

That's a matter of opinion.

Around here my opinion

is the only one that counts.

Any objections?

Satisfied?

Now, our next job

is the Farmers National.

Farmers National? You nuts?

- That's pretty tough.

- It's full of guards. You can't get near it.

It's around the corner from the joint

we cracked yesterday.

That's just why I picked it.

They'll never expect

lightning to strike twice.

That's great thinking, Specs.

Yeah. Yeah.

Now, one of us has got to case the bank,

you understand?

Since the four of us

have been identified...

...it's expedient for us to keep

out of sight as much as possible.

So that more or less

throws it in your lap, John.

Smile, John.

That's better.

Well, there's nothing further we can do

until John returns with his report.

So let's relax.

- How about a little game?

- Table stakes?

- Okay by me.

- Deal up.

- Deal you in, John?

- Not tonight.

- Where you going?

- Out.

Be careful.

Why? Nobody's looking for me.

I told you he was a fresh punk.

Well, he'll learn.

Where you going, honey?

If you'd have been another minute,

I'd have been gone.

Where are we going?

Oh, there's a little place on the other side

of town I'd like to visit again.

- Why did you pick this place?

- Oh, I was here once before.

- What happened?

- Oh, I left some unfinished business.

Yeah, what'll it be?

Remember me?

No.

Three beers.

That'll be 6 bits.

I don't think I can change this, sir.

That's all right. Keep it.

Thank you, sir.

- Why three beers?

- We're gonna have company.

I don't see anyone.

You will.

- Who gets this one?

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Philip Yordan

Philip Yordan (April 1, 1914 – March 24, 2003) was an American screenwriter of the 1940s, 1950s and 1960s who also produced several films. He was also known as a highly regarded script doctor. Born to Polish immigrants, he earned a bachelor's degree at the University of Illinois and a law degree at Chicago-Kent College of Law. more…

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Submitted on August 05, 2018

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