deux orphelines vampires, Les Page #3

Year:
1997
40 Views


- Shall we walk?

- He sleeps like a rock.

- I'm hungry.

- We'll go find one of our true homes.

I can feel one close by.

Take out those fake teeth.

You are just little carnival brats.

- You ate some?

- A big bite, yes.

You're beautiful with her blood.

It's good to be sticky from

the lifeblood of this woman.

Let's go in before he sees.

Just wait.

A game.

Is it dangerous?

You dare me to go in front of the window,

naked, without him seeing me?

I dare!

I adore you.

Smear me with some blood.

You smell of blood.

You're the statue of a goddess.

I still have the taste of

that woman's blood in my mouth.

- We're all covered with it.

- What if the doctor sees?

The blood on your body.

Ah, well, take it off.

You like it?

It's good?

My head's spinning.

It's as if I were drunk.

I have a surprise for you.

What is it?

The book on the Aztecs.

I stole it from the mother superior's library.

Loom

it's the goddess Bat Woman!

It's you, Louise. I know it's you.

This head of Murciloago,

the Bat God,

was made in a holy land

and placed on top of a funeral urn.

Oh, Henriette, it's really me.

And you? Where are you?

A picture of Quetzalcoatl emerging

from the mouth of a feathered serpent.

You see, he has teeth like mine.

We're like goddesses

who march through time and space.

One day we'll be able to remember

the time when we were real goddesses.

Even if they are all false memories,

we'll remember them.

Look at that.

It's the good Dr. Dennery's

two blind orphan girls coming out of mass.

I was there. I saw the doctor

dipping their fingers in the font

and guiding their hands

to make the sign of the cross.

Poor children, so deprived in life.

And they're so sweet and pure.

They're just like two sisters of baby Jesus.

Four, five!

Double five!

Five, four!

Double four!

Four, three!

You're cheating.

I'm certain you're cheating.

No, check.

It seems to be three, two.

You're the cheater!

It's four and three.

Children, tonight I'll be attending

a doctors' conference outside of the city.

I'll spend the night there

and return tomorrow.

You both know the house well now.

Do you mind staying alone,

or should someone come over?

Father, you can go.

- Don't worry. We'll be as good as gold.

- Nothing will happen to us.

Promise... you won't go out?

- We'll stay in the house.

- We'll go to bed as soon as you leave.

Well, then I can leave reassured.

Freedom!

Free for the whole night!

This time,

we're going on a big adventure!

Forget that little cemetery!

- We'll go to the biggest one.

- And even take the subway!

Finally, I see.

- I see blue.

- Me too.

I see perfectly.

It's the biggest house we've ever been in.

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Jean Rollin

Jean Michel Rollin Roth Le Gentil (3 November 1938 – 15 December 2010) was a French film director, actor, and novelist best known for his work in the fantastique genre. His career, spanning over fifty years, featured early short films and his achievements with his first four vampire classics Le viol du vampire (1968), La vampire nue (1970), Le frisson des vampires (1970), and Requiem pour un vampire (1971). Rollin's subsequent notable works include La rose de fer (1973), Lèvres de sang (1975), Les raisins de la mort (1978), Fascination (1979), and La morte vivante (1982).His films are noted for their exquisite, if mostly static, cinematography, off-kilter plot progression and poetic dialogue, their playful surrealism and recurrent use of well-constructed female lead characters. Outlandish denouments and abstruse visual symbols were trademarks throughout his 'dark fantasy' career. Remarkably, in spite of their seeming high production values and precise craftsmanship, his films were made with very little money, and often under crushing deadlines. In the mid-1970s, lack of regular work led the director to direct mostly pornographic films under various pseudonyms, a process he kept on going up until the 1980s. more…

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