Detroit Page #3

Synopsis: A police raid in Detroit in 1967 results in one of the largest RACE riots in United States history. The story is centred around the Algiers Motel incident, which occurred in Detroit, Michigan on July 25, 1967, during the racially charged 12th Street Riot. It involves the death of three black men and the brutal beatings of nine other people: seven black men and two white women.
Genre: Crime, Drama, History
Director(s): Kathryn Bigelow
Production: Annapurna Pictures
  5 wins & 16 nominations.
 
IMDB:
7.4
Metacritic:
77
Rotten Tomatoes:
83%
R
Year:
2017
143 min
$16,788,494
Website
1,457 Views


FLYNN:

Oh, I almost hit that one.

(LAUGHING)

LYNDON B. JOHNSON:

There is no American right...

...to loot stores...

...or to burn buildings,

...or to fire rifles

from the rooftops.

That is crime.

And crime must be

dealt with forcefully...

...and swiftly,

and certainly under law.

AFRICAN-AMERICAN LEADER:

...LBJ tell you...

...that, "Violence never

accomplishes anything,"

"...my fellow Americans."

(PEOPLE CHEERING)

Don't you see,

the real problem with violence...

...is that we have

never been violent.

We have been too nonviolent!

(ALL SHOUTING)

Excuse me!

POLICEMAN:
Go back

the way you came!

I need to go down this road

to get to work.

What did I say? Back!

I need to go down this road

to get to work, Ford Assembly.

Hold on! Where you going?

Hey! Let him go!

You cannot go this...

(GUNSHOTS)

(SCREAMING)

POLICEMAN:
Take cover!

We might have a sniper on...

KRAUSS:

Boy, would you look at this.

So sad.

It's preventable, you know.

That's the worst part.

Look at this.

This looks like f***ing 'Nam.

You believe this is the USA?

And we're to blame.

(HONKS HORN)

By standing by,

the trouble started. Now this.

(MUSIC PLAYING OVER SPEAKERS)

FLYNN:

What can you do with this?

They're crazy.

They're not crazy. They know

exactly what they're doing.

This is gonna

be worse than '43.

KRAUSS:
No, we need to stop

failing these people.

They're looking to us, and

we keep letting them down...

...left, right, and center.

Take this motherf***er

right here. Halt!

(TIRES SCREECH)

Halt!

Halt!

(GUNS COCKING)

Get back!

(SHOUTING)

- DEMENS:
Stay off the street!

- KRAUSS:
Halt!

DEMENS:
Back up!

Hey!

(GRUNTS)

KRAUSS:
Come here!

Get back off the street!

(WHIMPERING)

Hey, Phil! Come on!

Hey, Phil!

Forget him! Come on!

F***!

(GASPS)

FLYNN:
You're not supposed to

shoot the looters anyway.

(PANTING) Yeah.

How the hell

are we supposed to stop them?

What a f***ing specimen, huh?

(GROANING)

(GASPING)

(LEON WHIMPERING)

OLD LADY:
Confound it!

What... What are you doing

under there?

(STUTTERING)

I just live down the street.

If you can go

get my wife Roberta?

You want me to

call the ambulance?

No, no police!

Just, please, Roberta.

OLD LADY:
Goodness!

LEON:
Get me Roberta.

MALE REPORTER:

1,100 National Guardsmen...

...have been rushed

into as many areas...

...as they can cover,

protecting police.

Looters carry off thousands

of dollars' worth of goods...

...with a gay sort of leisure.

Many negro shop owners

put up signs...

...reading "Soul Brother"

to avoid damage.

But the fire bombers

and looters...

...are indiscriminate.

POLICEMAN:

Just cuff him to the chair.

I'll get to him

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Mark Boal

Mark Boal (born January 23, 1973) is an American journalist, screenwriter and film producer. Before he became a prominent figure of cinema, Boal worked as a journalist for such publications as Rolling Stone, The Village Voice, Salon and Playboy. Boal's 2004 article "Death and Dishonor" was adapted for the film In the Valley of Elah, which Boal also co-wrote. In 2009, he wrote and produced The Hurt Locker, for which he won both the Academy Award for Best Original Screenplay and the Academy Award for Best Picture. In 2012, he wrote and produced Zero Dark Thirty, teaming again with director Kathryn Bigelow, about the tracking and killing of Osama bin Laden. The film earned him Academy Award nominations for Best Original Screenplay and Best Picture and a Writers Guild of America Award for Best Original Screenplay. The pair collaborated a third time for 2017's Detroit. As of 2013, Boal has won two Academy Awards (four nominations), a BAFTA Award, two Writers Guild of America Awards, a Producers Guild of America Award and four Golden Globe Award nominations. He has also won several critics awards. more…

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Submitted on August 05, 2018

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