Desperate Hours Page #4

Synopsis: Michael Bosworth is a psychotic criminal who is about to go on trial however, he seduces his lawyer into helping him escape. But as they try to make their getaway, she's left behind. He decides to wait for her to come to him, so he decides to hide at the house of the Cornells. Now it appears that the Cornells have problems of their own. The husband and wife are separated. And there's an FBI agent after them who is using the lawyer to lead them to Bosworth.
Genre: Action, Crime, Drama
Director(s): Michael Cimino
Production: Metro Goldwyn Mayer
  1 nomination.
 
IMDB:
5.4
Rotten Tomatoes:
36%
R
Year:
1990
105 min
237 Views


No one's gonna hurt you.

I promise.

Okay? You gotta learn

to trust me.

You probably can't absorb

any of this right now,

but you and I

are gonna be friends.

Michael:
Would you like to go upstairs

and put something else on?

Nora:

Yes.

Michael:
Albert!

What are you doing up there?

Michael:
Albert, were you

in Nora's bedroom?

You are never to enter that bedroom

without Nora's permission.

I parked the Jag in the garage.

Let's just take the goddamn car and go.

I don't like it here.

Michael:
Well, then you leave.

You're only here

because when I was in prison,

my brother needed your help.

I want you to go

through the house.

I want you to look

for money and jewelry.

Nora, sit down. Sit down.

I want to reassure you.

- You have a daughter, May?

- How did you know her name?

Well, I was going through

your husband's letters, and, uh...

She's 15?

And then there's the younger child?

Zack. He's... ahem...

- He's eight?

- Yeah.

They come home from school

around what time?

Nora, don't make me resent the kids

before I even meet them.

Zack gets dropped off

around 3:
00.

- By a carpool?

- Yes.

Does the parent

come to the door?

Of course not, picking the children up

is hectic enough without dropping...

Gimme a break, lady.

Nora, do you think you could

speak on the telephone without crying?

If you can, we can be

out of here a hell of a lot faster.

Yes, anything.

You're a strong woman, Nora.

You know,

smart men love strong women.

Brother:

What if they tap Nancy's phone?

Michael:
She's a victim.

They'd never suspect her.

I'm a very fair man, Nora.

You know, I would never hurt anyone

unless they were trying to hurt me.

I swear it.

Here's what I want you to say.

"Hi, Nancy. it's Nora.

"Just called to gossip.

Nothing important."

And I want you

to leave her this number.

All right?

Now you try it.

Hi, Nancy. it's Nora.

Just nothing important.

Just called...

No, no, no, no, no, no.

I want you to smile.

Okay, there. That's it. Big smile.

- You've got a beautiful smile.

- ( Dial tone hums )

You try.

( Faintly ) Smile.

( Keypad beeps )

( line ringing )

Recording:

Hi, this is Nancy.

Please leave your message

after the beep.

- ( Beeps )

- Hi, Nancy. it's Nora.

Nothing important.

Just called to say hi.

Ca... call me back at 555-4810.

Bye.

- Good girl.

- ( Beeps, dial tone hums )

Nora? Nora?

Come on, open up, Nora!

Open the door!

Come on, I want to apologize!

I'll camp outside.

( Yelling )

I once waited in line two days

for tickets for the World Series,

so I mean business!

Open up! I'm gonna break in

like the big, bad wolf!

Nora!

I'm not going to ask again!

Open up!

Hey!

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Lawrence Konner

Lawrence Konner is an American screenwriter and television writer of shows such as Boardwalk Empire and The Sopranos. more…

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Submitted on August 05, 2018

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