Despair Page #3

Synopsis: Germany in the early 1930s. Against the backdrop of the Nazis' rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.
Genre: Drama
  3 wins & 1 nomination.
 
IMDB:
7.4
Rotten Tomatoes:
65%
Year:
1978
119 min
290 Views


It is myself... at the piano,

under the careful eye

of Frau Schiller, my governess.

Still talking politics?

This is Dr. Orlovius and my name

is Hermann and this is my wife.

- Mr. Orlovius.

- You're not a doctor?

I am in the insurance business.

- But surely you implied that you--

- That I don't mind talking shop.

Tell me. Do you have a life policy?

No?

Then perhaps I might explain

some of the advantages.

"Come on out, Silverman! --

We've got you surrounded!"

"Isn't that Sergeant Brown?"

"That's my brother.

I'm going to talk to him."

- How do they do it?

- There's a line down the middle.

This cherry brandy is disgusting, Hermann!

"Don't you ever think of mother?"

I can't see any line!

- A line has length but no breadth.

- Beautiful.

"The many tears she has shed have

washed the life from her eyes."

If you could see it,

it wouldn't be a line.

It would have breadth!

"Mother always loved you more than

me. All the more since the accident."

The fact you can't see it,

proves it's a line.

Too much sugar in the schnapps, Hermann.

Change the recipe. That's my advice.

Give me your hanky, p*ssy!

Hanky, dear!

"He's dead."

"That's not Sergeant Brown.

It's Silverman."

"He's dead. We always

respected you, Sergeant Brown."

Good morning, Mr. Hermann.

Good morning, sir.

The liquor centers are not moving well.

Two consignments have

been returned already.

Not enough sugar in the schnapps.

Hello, you!

I've seen you before somewhere.

Your face.

In the cinema.

I never go to the cinema.

Don't lie to me. I know.

If you're not coming to bed,

you could at least bring me my book!

Please!

Thank you, Elsie.

Lydia?

Lydia!

I'm thinking of going to Dusseldorf

for a couple of days.

- Where's that?

- In the Ruhr.

- Is that in Germany?

- For the moment, yes.

Something important happening?

A chocolate factory is

on the verge of going bankrupt...

And I am going to do a murder.

A murder?

Merger.

I shall gobble them up!

Hermann, you're wonderful!

But I'll be terribly lonely without you.

Why don't you get Ardalion to amuse you?

Isn't that what cousins are for?

I made a small donation.

Those are the only people not

prepared to sell us down the river.

This is an unusual line. Ginger creams!

It appeals to sophisticated tastes.

How many hours a day

are these machines idle?

I'll tell you frankly:

Until last year, the problem was staff.

There were plenty of

better paid jobs around.

Now I can have

all the people I want, but...

sales are down.

What's the answer?

It's murder!

Merger. Ah, yeah.

The wrong people have got the money.

You know what I mean?

If that man was in charge,

things would be different.

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Tom Stoppard

Sir Tom Stoppard OM CBE FRSL (born Tomáš Straussler; 3 July 1937) is a British playwright and screenwriter, knighted in 1997. He has written prolifically for TV, radio, film and stage, finding prominence with plays such as Arcadia, The Coast of Utopia, Every Good Boy Deserves Favour, Professional Foul, The Real Thing, and Rosencrantz and Guildenstern Are Dead. He co-wrote the screenplays for Brazil, The Russia House, and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Stoppard has been a key playwright of the National Theatre and is one of the most internationally performed dramatists of his generation. more…

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Submitted on August 05, 2018

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