Desert Fury Page #4

Synopsis: Fritzi Haller is a powerful casino owner in Chuckawalla, Nevada. Her daughter Paula (having quit school) returns at the same time as racketeer Eddie Bendix, who left under suspicion of murdering his wife. Paula and Eddie become involved; each for their own reasons, Fritzi, Paula's old beau Tom, and Eddie's pal Johnny try to break up the relationship. Then Eddie's past catches up with him in an unexpected way.
Director(s): Lewis Allen
Production: Paramount Pictures
 
IMDB:
6.7
Rotten Tomatoes:
50%
APPROVED
Year:
1947
96 min
106 Views


What about her?

She likes to gamble. It's in her blood.

Yeah. Like her old man.

Show her a pair of dice...

She doesn't look like you.

I thought you wanted to talk.

She reminds me of someone I knew.

I thought so too at first,

then I got a better look...

Nobody is asking you.

Alright, now we talk.

I got a visit today from the Sheriff.

Yeah?

I didn't like it.

Nobody likes Sheriffs.

Call him off. Me?

Play straight. Call him off.

Why?

Because I say so.

Well, maybe for old time's sake.

Do I owe you anything from the old days?

No... but I don't want

anybody bothering me.

Take it easy, Eddie. Maybe she's...

Shut up!

What's the matter, Eddie?

I don't like anybody taunting me.

Alright, I sent him.

Oh... excuse me. I thought you'd gone.

I said I'd see you at home.

I was waiting for you.

I want to go home with you.

I'll be outside.

Its alright.

Just one more thing. Did you tell

him to ask me all those questions?

Questions?

About my wife. The accident.

The way she died.

No I didn't. It must have been his idea.

Well this is my idea.

Don't ever do it again. Just don't.

Eddie, you can't blame me.

You blow into town the way you do.

I told that Cop that I

came here to be alone.

The word says you got

squeezed out of Vegas.

Any time Eddie wants to go

to the post, he's tagged.

I don't know how to figure.

I got a pretty good set up here.

Maybe you ought to move in.

Maybe I want to go back

to pitching pennies, too.

I want nothing from you, Fritzi. I want

nothing from nobody. Just be left alone.

The way you left me alone?

That's how he's been, Fritzi.

Ever since...

That's how I've been!

Do like I tell you, Fritzi.

Don't ask for trouble.

Sure she does.

Look at her now.

Like you talk to me, mother.

That's the way he talked to you.

"Do like I tell you, Fritzi."

Go home.

Yes, mother.

Hi, Hank.

Hiya, Paula.

Come on, Tom.

I'm ready, fellahs.

Ride him, Tommy!

Ride him, Tom!

Stay with him, Tom.

Attaboy, Tom. Come on!

You alright?

Okay.

What got broke, Tom?

You or the horse?

A few more tries and

the pony can ride me.

Yeah?

Leave him alone... Paula.

There ain't one of you drugstore cowboys

ever seen a day you could ride with him.

I'm going over to the bunk house.

Leave him alone. When this happens, he

don't want no-one around him, even me.

Is he really that good, Pat?

Ain't he ever told you?

Tom doesn't talk much about himself.

No. He was the best.

What happened to him?

He was wrestling a steer and slipped.

Now he's all busted up inside.

He's not thinking of going

back to the rodeo, is he?

All the time.

I say to him:
okay, make a comeback. You

can never be as good as you used to be.

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Robert Rossen

Robert Rossen (March 16, 1908 – February 18, 1966) was an American screenwriter, film director, and producer whose film career spanned almost three decades. His 1949 film All the King's Men won Oscars for Best Picture, Best Actor and Best Supporting Actress, while Rossen was nominated for an Oscar as Best Director. He won the Golden Globe for Best Director and the film won the Golden Globe Award for Best Picture. In 1961 he directed The Hustler, which was nominated for nine Oscars and won two. After directing and writing for the stage in New York, Rossen moved to Hollywood in 1937. There he worked as a screenwriter for Warner Bros. until 1941, and then interrupted his career to serve until 1944 as the chairman of the Hollywood Writers Mobilization, a body to organize writers for the effort in World War II. In 1945 he joined a picket line against Warner Bros. After making one film for Hal Wallis's newly formed production company, Rossen made one for Columbia Pictures, another for Wallis and most of his later films for his own companies, usually in collaboration with Columbia. Rossen was a member of the American Communist Party from 1937 to about 1947, and believed the Party was "dedicated to social causes of the sort that we as poor Jews from New York were interested in."He ended all relations with the Party in 1949. Rossen was twice called before the House Un-American Activities Committee (HUAC), in 1951 and in 1953. He exercised his Fifth Amendment rights at his first appearance, refusing to state whether he had ever been a Communist. As a result, he found himself blacklisted by Hollywood studios as well as unable to renew his passport. At his second appearance he named 57 people as current or former Communists and his blacklisting ended. In order to repair finances he produced his next film, Mambo, in Italy in 1954. While The Hustler in 1961 was a great success, conflicts on the set of Lilith so disillusioned him that it was his last film. more…

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