Dead Man

Synopsis: Dead Man is the story of a young man's journey, both physically and spiritually, into very unfamiliar terrain. William Blake travels to the extreme western frontiers of America sometime in the 2nd half of the 19th century. Lost and badly wounded, he encounters a very odd, outcast Native American, named "Nobody", who believes Blake is actually the dead English poet of the same name. The story, with Nobody's help, leads William Blake through situations that are in turn comical and violent. Contrary to his nature, circumstances transform Blake into a hunted outlaw, a killer, and a man whose physical existence is slowly slipping away. Thrown into a world that is cruel and chaotic, his eyes are opened to the fragility that defines the realm of the living. It is as though he passes through the surface of a mirror, and emerges into a previously-unknown world that exists on the other side.
Director(s): Jim Jarmusch
Production: Miramax
  4 wins & 10 nominations.
 
IMDB:
7.7
Metacritic:
62
Rotten Tomatoes:
74%
R
Year:
1995
121 min
150 Views

Look out the window.

And doesn't this remind you

of when you were in the boat?

And then later that night,

you were lying, looking

up at the ceiling,

and the water

in your head...

was not dissimilar

from the landscape,

and you think to yourself,

"Why is it that the landscape...

is moving,

but... the boat

is still?"

And also... Where is it

that you're from?

- Cleveland.

- Cleveland.

- Lake Erie.

- Erie.

Do you have any parents

back in, uh, Erie?

They passed on recently.

And, uh,

do you have a wife...

in Erie?

No.

- A fiance?

- Well, I...

I had one of those,

but, um,

she changed her mind.

- She found herself somebody else.

- No.

Yes, she did.

Well, that doesn't explain...

why you've come

all the way out here,

all the way out here to hell.

I, uh,

have a job

out in the town of Machine.

Machine? That's

the end of the line.

- Is it?

- Yes.

Well, I...

received a letter...

from the people at Dickinson's

Metal Works...

Oh.

Assuring me

of a job there.

Is that so?

Yes. I'm an accountant.

I wouldn't know,

because, uh, I don't read,

but, uh, I'll tell you

one thing for sure:

I wouldn't trust no words

written down on no piece of paper,

especially from no "Dickinson"

out in the town of Machine.

- You're just as likely

to find your own grave.

Look. They're

shooting buffalo.

Government says...

killed a million of 'em

last year alone.

Pardon me, sir. Could you please

direct me towards the office?

Thank you.

Excuse me.

Excuse me.

How do you do, sir?

I'm Bill Blake,

your new accountant from Cleveland.

What the heck

are you doin' here?

Well, uh, I have here

this letter...

which confirms

my position here.

Well, this letter

is postmarked two months ago.

Makes you about

a month late.

This here is Mr. Olafsen.

He's our new accountant.

I'm sorry. I think

there's been some mistake.

- Look, Mr. Black,

- Blake.

I'm a very busy man, and Mr. Dickinson

does not pay me for idle conversation.

Well, I'm sure he doesn't, but

this letter confirms my position here.

Now, I've spent everything I had

left after my parent's funeral

just to get here.

Listen, Mr. Black,

I've got a lot of work to do here,

and this ain't

my business.

I'd like to speak

to Mr. Dickinson.

No, I-I don't think

you want to do that.

I insist on speaking

to Mr. Dickinson, sir.

You insist?

- I insist.

- You insist?

Yes, I do.

Well, go on then, lad.

There's the door.

All right then.

Go on then!

Well, I will.

Hello?

Mr. Dickinson?

Who the hell are you?

And where did you get

that goddamn clown suit? Cleveland?

Well, actually, yes, sir.

I did, uh, get it

in Cleveland.

What the hell are you

doin' in my office?

Well, I-I-I came

to talk about my job.

The only job you're gonna get in here

is pushin' up daisies from a pine box.

Now get out.

Thank you

very much, sir.

Back to work,

Mr. Olafsen.

Excuse me.

Excuse me.

Sorry.

Pardon me, sir.

Could I get

a bottle, please?

We liked you better

when you was a whore.

Jackass.

Shit!

Why don't you just

paint my portrait?

I'm sorry.

- Let me help here. One.

- This one's no good. No, it's ruined.

- Two.

- It's no good.

Oh, here. Oh!

Watch yourself.

- You okay? You all right?

- Yeah.

Here. Have a drink.

Would you like a drink?

Thanks.

I'm sorry.

Would you mind walking me

away from here?

- S-Sure. Sure.

- Yeah?

I'll just get

my suitcase.

- It's that way.

- All right.

Oh, shit.

I have a sneaking suspicion that that

large man back there was inebriated.

- I was gonna say something, but I

don't wanna cause any trouble.

Rate this script:(0.00 / 0 votes)

Jim Jarmusch

James Robert Jarmusch (born January 22, 1953) is an American film director, screenwriter, actor, producer, editor, and composer. He has been a major proponent of independent cinema since the 1980s, directing such films as Stranger Than Paradise (1984), Down by Law (1986), Mystery Train (1989), Dead Man (1995), Ghost Dog: The Way of the Samurai (1999), Coffee and Cigarettes (2003), Broken Flowers (2005), Only Lovers Left Alive (2013), and Paterson (2016). Stranger Than Paradise was added to the National Film Registry in December 2002. As a musician, Jarmusch has composed music for his films and released two albums with Jozef van Wissem. more…

All Jim Jarmusch scripts | Jim Jarmusch Scripts

FAVORITE (0 fans)

Submitted on August 05, 2018

Translation

Translate and read this script in other languages:

Select another language:

  • - Select -
  • Chinese - Simplified 简体中文 (Chinese - Simplified)
  • Chinese - Traditional 繁體中文 (Chinese - Traditional)
  • Spanish Español (Spanish)
  • Esperanto Esperanto (Esperanto)
  • Japanese 日本語 (Japanese)
  • Portuguese Português (Portuguese)
  • German Deutsch (German)
  • Arabic العربية (Arabic)
  • French Français (French)
  • Russian Русский (Russian)
  • Kannada ಕನ್ನಡ (Kannada)
  • Korean 한국어 (Korean)
  • Hebrew עברית (Hebrew)
  • Ukrainian Український (Ukrainian)
  • Urdu اردو (Urdu)
  • Hungarian Magyar (Hungarian)
  • Hindi मानक हिन्दी (Hindi)
  • Indonesian Indonesia (Indonesian)
  • Italian Italiano (Italian)
  • Tamil தமிழ் (Tamil)
  • Turkish Türkçe (Turkish)
  • Telugu తెలుగు (Telugu)
  • Thai ภาษาไทย (Thai)
  • Vietnamese Tiếng Việt (Vietnamese)
  • Czech Čeština (Czech)
  • Polish Polski (Polish)
  • Indonesian Bahasa Indonesia (Indonesian)
  • Romanian Românește (Romanian)
  • Dutch Nederlands (Dutch)
  • Greek Ελληνικά (Greek)
  • Latin Latinum (Latin)
  • Swedish Svenska (Swedish)
  • Danish Dansk (Danish)
  • Finnish Suomi (Finnish)
  • Persian فارسی (Persian)
  • Yiddish ייִדיש (Yiddish)
  • Armenian հայերեն (Armenian)
  • Norwegian Norsk (Norwegian)
  • English English (English)

Discuss this Dead Man script with the community:

Citation

Use the citation below to add this screenplay to your bibliography:

Style:MLAChicagoAPA

"Dead Man" Scripts.com. STANDS4 LLC, 2019. Web. 23 Oct. 2019. <https://www.scripts.com/script/dead_man_6490>.

We need you!

Help us build the largest writers community and scripts collection on the web!

The Marketplace:

Sell your Script !

Get listed in the most prominent screenplays collection on the web!


The Studio:

ScreenWriting Tool

Write your screenplay and focus on the story with many helpful features.


Thanks for your vote! We truly appreciate your support.