Dead End Page #4

Synopsis: The Dead End Kids are introduced in their intricate East Side slum, overlooked by the apartments of the rich. Their antics, some funny, some vicious, alternate with subplots: unemployed architect Dave is torn between Drina, sweet but equally poor, and Kay, a rich man's mistress; gangster Baby Face Martin returns to his old neighborhood and finds that nobody is glad to see him. Then violent crime, both juvenile and adult, impacts the neighborhood and its people.
Director(s): William Wyler
Production: MGM
 
IMDB:
7.4
Rotten Tomatoes:
89%
APPROVED
Year:
1937
93 min
466 Views


My big brother was here,

you wouldn't do that.

Bang you on the head,

that's what he'd do.

Bust your nose

and give you a blinker, that's what.

Hey, Dippy.

Hey, Sharpie, come here.

All right.

- Hey, hey, hey.

- Watch it, boys.

What's the matter here?

It's those horrible children.

I see them from above.

Philip didn't want to wait

for me, Mr. Griswald.

Aw, shut up,

you big bag o' wind.

You try to hit him...

Go get him the army and navy

for a bodyguard.

Next time, try hitting them back.

They're your age.

If they try to fight, fight back.

Come here, guys.

Here's how we're gonna get

that lump of mush.

Hey, fellas, watch.

Hey, crumb, duck.

Hey, lady. Has your kitchen stove

got diamonds in it like that kid makes out?

- No.

- No.

Hey, guys, let's grab a dip.

- I don't feel like it.

- Hey, what's that?

- Oh, her? Friend of Dave's.

- No.

Yeah. Comes to see him all the time.

Hey, wait for me, fellas, will ya?

Good morning.

Good morning.

You're late.

- I know. I meant to be.

- Why?

Oh, nothing.

I don't like it when you're late.

I wish we had

somewhere else to meet.

I had fun last night.

I never knew there were so many

places to go that didn't cost anything.

I know 'em all.

I always go to the smart places

and have a dull time.

But I had fun with you.

I always have fun with you.

Fun for the first time in years.

Do you like him?

Yes, I like him.

I was pretty hard up when I met him,

and tired of being hard up.

He's been good to me.

That's his boat, isn't it?

It's a beauty. You know,

when I was a kid,

I used to make boats

and sail them here on the river.

Looks like it's getting ready

to make a trip.

- When?

- I don't know. I don't know.

You'll be going with him, won't you?

Yes...

No, I don't know.

He wants me to go.

He wants to marry me now.

But I'm not in love with him.

I haven't even told him I was.

But I'm frightened

of being poor again.

I hate what it does to people.

I saw what it did to my family and to me.

Yes, I don't blame you.

It's something to be scared of.

But...

Look, Kay,

I'm to phone Del Block this afternoon.

That's Carter and Block.

I've been trying to get a job

with them for a long while.

I left some of my drawings there,

and they liked them.

Well, two of their draftsmen are going

on a vacation. There might be something.

It wouldn't pay very much, but...

Why am I talking like this?

I'm sorry you're going away.

I haven't thought about the trip much.

I kept pushing it off because...

well, I suppose because of you.

We've never talked

about ourselves before,

but I've thought about us a lot.

Haven't you?

I've tried not to.

- Car's waiting, Miss Burton.

Rate this script:0.0 / 0 votes

Lillian Hellman

Lillian Florence Hellman (June 20, 1905 – June 30, 1984) was an American dramatist and screenwriter known for her success as a playwright on Broadway, as well as her left-wing sympathies and political activism. She was blacklisted after her appearance before the House Committee on Un-American Activities (HUAC) at the height of the anti-communist campaigns of 1947–52. Although she continued to work on Broadway in the 1950s, her blacklisting by the American film industry caused a drop in her income. Many praised Hellman for refusing to answer questions by HUAC, but others believed, despite her denial, that she had belonged to the Communist Party. As a playwright, Hellman had many successes on Broadway, including Watch on the Rhine, The Autumn Garden, Toys in the Attic, Another Part of the Forest, The Children's Hour and The Little Foxes. She adapted her semi-autobiographical play The Little Foxes into a screenplay, which starred Bette Davis and received an Academy Award nomination in 1942. Hellman was romantically involved with fellow writer and political activist Dashiell Hammett, author of the classic detective novels The Maltese Falcon and The Thin Man, who also was blacklisted for 10 years until his death in 1961. The couple never married. Hellman's accuracy was challenged after she brought a libel suit against Mary McCarthy. In 1979, on The Dick Cavett Show, McCarthy said that "every word she writes is a lie, including 'and' and 'the'." During the libel suit, investigators found errors in Hellman's popular memoirs such as Pentimento. They said that the "Julia" section of Pentimento, which had been the basis for the Oscar-winning 1977 movie of the same name, was actually based on the life of Muriel Gardiner. Martha Gellhorn, one of the most prominent war correspondents of the twentieth century, as well as Ernest Hemingway's third wife, said that Hellman's remembrances of Hemingway and the Spanish Civil War were wrong. McCarthy, Gellhorn and others accused Hellman of lying about her membership in the Communist Party and being an unrepentant Stalinist. more…

All Lillian Hellman scripts | Lillian Hellman Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Dead End" Scripts.com. STANDS4 LLC, 2024. Web. 4 May 2024. <https://www.scripts.com/script/dead_end_6481>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Dead End

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.