Dalida Page #5

Synopsis: Based on the true story of acclaimed music icon "Dalida" born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Youssef Chahine's picture "Le Sixième Jour", and who later committed suicide in 1987 in Paris, after selling more than 130 million records worldwide
 
IMDB:
6.9
PG
Year:
2016
127 min
364 Views


You were great.

Thank you.

That day she realized

she loved us both.

That was her schizophrenic side.

-In what way?

-In a manner of speaking.

There was Iolanda, who loved me,

and Dalida, who loved Lucien.

Did you feel hurt?

-Hello.

-Hello.

See you.

That hairstyle suits you.

Thank you. You like it?

I brought your contract renewal.

-Ten years, already.

-Yes.

Time flies.

What did you want to tell me?

We've talked it over,

Bruno and I, and...

I think that the situation

is somewhat absurd.

I've worked here for ages,

looking after artists.

But Dali has been left alone

to manage her career.

So...

In fact...

...we're going to set up

our own production company.

I'll put this away, then.

It's the first time

a woman has left me.

This calls for a drink.

-I'm not leaving my friend.

-I know.

Well, what are your plans?

San Remo.

-The festival?

-Yes.

She'll be mentoring an Italian

singer called Luigi Tenco.

She has real potential in Italy.

It'd be a shame to

lose an audience.

We have to go for it.

Right?

I don't see what you'll gain,

but you must listen to your...

...producer.

-That's right.

-Yes.

If...

If I hadn't arranged

the meeting with Luigi...

...we wouldn't be here now.

It was her path through life.

You couldn't intervene.

I don't agree with Heidegger.

-Really?

-No.

The main thing is

being-toward-love.

I like your sense of philosophy,

Gigliotti.

It's all thanks to you, professor.

Come here.

I love you.

Calm down, please.

Thank you.

Why did a star like you

agree to come to San Remo?

For Luigi Tenco's songs.

You think Luigi Tenco can win?

-Of course.

-He can win.

Thank you, all of you.

Let's go. We are late.

Thank you.

I like Ornella Vanoni's song.

It'd make a good cover.

Can't you see they're using us?

It's a commercial operation.

He follows you everywhere.

-Who?

-You know.

Yes, with pleasure.

Let's do the photos,

then she has to get changed.

Don't drink too much, darling.

You know why I stay here?

For you.

Dali, the festival director

wants to meet you.

We're very honored

to have you at our festival.

-Good evening.

-Good evening.

We have a photo call.

It's best to do them now.

-With Luigi.

-No, just you. First.

Go ahead.

Yes, separately is

better. Let's go.

It's my great pleasure

to present the 17th edition...

Luigi, will you be OK?

-Yes.

-You'll be fine.

Let's hear Ciao Amore Ciao,

written and sung by Luigi Tenco.

-You're nervous.

-I'm okay..

Don't worry. You'll win.

I hope so.

-Luigi.

-Are you happy?

Are you all happy now?

What a farce!

Luigi.

-Let me go.

-Please.

-Iolanda, please.

-Bruno.

Your affair must remain a secret.

It's your turn now.

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Catherine Rihoit

Catherine Rihoit (Born in Caen in 1950) is a French writer. Portrait de Gabriel, her first novel, appeared in 1977. In 1979, she received the Prix des Deux Magots for Le bal des débutantes. Her 1982 novel La Nuit de Varennes ou l'Impossible n'est pas français was made into a film, That Night in Varennes, the same year. She has written biographies of Thérèse of Lisieux (Plon, 1992), Brigitte Bardot (1986), Dalida, and Bernadette Soubirous (2009). more…

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Submitted on August 05, 2018

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