Crime Wave Page #3

Synopsis: Three San Quentin escapees (Penny, Hastings and Morgan) kill a cop in a gas-station holdup. Wounded, Morgan flees through black-shadowed streets to the handiest refuge: with former cellmate Steve Lacey, who's paroled, with a new life and lovely wife, and can't afford to be caught associating with old cronies. But homicide detective Sims wants to use Steve to help him catch Penny and Hastings, who in turn extort his help in a bank job. Is there no way out for Steve?
Director(s): André De Toth
Production: Warner Bros.
 
IMDB:
7.4
Rotten Tomatoes:
67%
APPROVED
Year:
1953
73 min
144 Views


There, you see.

I told you.

Doesn't look so good for Mr. Lacey.

Who's there?

- Who is it?

- Open up, Lacey.

- Morgan?

- Steve.

What are you doing here?

- Is the Doc here?

- Doc who? Penny?

No. Otto Hessler.

Otto Hessler. Remember?

He was in the pen with us.

He's a real doctor, he used to be.

He'll patch me up.

I called him. I gave him your address.

Where'd you get it?

Never mind. I told him to come here.

I don't want him here or you, either.

I'm clean and I mean to stay that way.

Get out, Morgan.

I can't move, Steve. I'm hurt bad.

Don't touch him, Steve. Call the police.

No! Stay where you are.

Where are the others,

Penny and Hastings?

They coming here?

No. We had to break up.

They'll get you, Morgan.

They'll find you here.

Not if you help me.

Look, I walked a mile

so I wouldn't park a hot car on you.

I've got to get patched up.

Do me a favor. Call the Doc again.

Here's his...

On your feet, Morgan.

You're getting out of here.

Morgan.

Come on, get up. You hear me?

Come on. Come on. Wake up.

Stop it. Call the police now. Don't wait.

Yeah, sure, call the police, easy.

With Penny and Hastings loose?

If I turn him in, I'll be running till I'm dead.

Get up, Morgan. Come on, wake up.

Come on, Morgan, come on.

Wake up. Wake up!

You sent for me?

He did. Get him out of here quick, Hessler.

Has he got any money?

I won't touch him if he hasn't.

I don't know. Ask him.

He's dead.

No, no. He was just talking a minute ago.

Where's the money? He must have some.

He knew I wouldn't come unless I got it.

There's only $100 here.

From the way he spoke, he had more.

What happened to it?

I told you, I don't know. Put it back.

I'm entitled to it. I took a chance coming...

I said put it back.

Don't, Steve. Let him go. Let him have it.

All right, take it, take it all.

But you take him with you.

How can I? What would I do with him?

No. This is no affair of mine.

Absolutely not.

I'll have to do it myself.

I gotta get rid of him somehow.

No, you can't. Don't touch him.

Call your parole officer.

I call O'Keefe, he calls the police.

But you haven't done anything.

You're innocent.

Once you do a stretch,

you're never clean again.

You're never free.

They've always got a string on you

and they tug, tug, tug.

Before you know it, you're back again.

You've got to call him. Do it for me.

For you, yeah.

They can't do anything to you.

Can't they? You wait and see.

Just one thing,

he died before we could help him.

He didn't talk

and we didn't see Hessler. Nothing.

He was dying when he got here. That's all.

All right.

All right, anything you say.

Hello.

Hello. This is O'Keefe.

Who?

Oh, Steve Lacey.

Rate this script:0.0 / 0 votes

Crane Wilbur

Crane Wilbur (November 17, 1886 – October 18, 1973) was an American writer, actor and director for stage, radio and screen. He was born in Athens, New York. Wilbur is best remembered for playing Harry Marvin in The Perils of Pauline. He died in Toluca Lake, California.He was a prolific writer and director of at least 67 films from the silent era into the sound era, but it was as an actor that he found lasting recognition, particularly playing opposite Pearl White in the iconoclastic serial The Perils of Pauline. He brought to the first motion pictures merry eyes, a great, thick crop of wavy, black hair and an athlete's interest in swimming and horseback riding. Twelve years of stage experience prepared him for his venture into the new art of silent motion pictures. He was one of the first to explore the techniques required to communicate through the wordless shadows of the movies. more…

All Crane Wilbur scripts | Crane Wilbur Scripts

1 fan

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Crime Wave" Scripts.com. STANDS4 LLC, 2024. Web. 5 May 2024. <https://www.scripts.com/script/crime_wave_6057>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.