Contempt Page #3

Synopsis: Paul Javal is a writer who is hired to make a script for a new movie about Ulysses more commercial, which is to be directed by Fritz Lang and produced by Jeremy Prokosch. But because he let his wife Camille drive with Prokosch and he is late, she believes, he uses her as a sort of present for Prokosch to get get a better payment. So the relationship ends.
Genre: Drama
Director(s): Jean-Luc Godard
Production: Rialto Pictures
 
IMDB:
7.7
Rotten Tomatoes:
94%
NOT RATED
Year:
1963
102 min
$39,199
2,609 Views


so he sits on it, but it doesn't fly.

The merchant says: "Not surprising."

Are you listening?

"Not surprising.

If you want it to fly, you mustn't think of an ass."

So Martin says:
"Okay, I won't think of an ass."

But automatically he thinks of one, so the carpet doesn't fly.

What's that got to do with me?

Exactly what I was saying.

Well, I don't get it.

That's enough. Are you finished?

No need to change the water. I didn't use soap.

You've been acting weird today. What's wrong?

Nothing at all.

I knew you'd say that.

There is something. Is it that girl?

It's nothing, I tell you. I simply said you were an ass.

Not the same sound all over.

Why don't you want us to go to Capri?

Because you're an ass.

You frighten me, Paul.

It's not the first time.

Why didn't you answer instead of standing there?

Why'd I marry a 28-year-old typist?

It's true...

I'm sorry.

So am I.

Go to Capri if you want. I don't feel like it.

Besides, I don't like thatJeremy Prokosch. I told you.

Why? He do something to you?

Not a thing.

Why the thoughtful air?

Maybe because I'm thinking of something.

That surprise you?

No. Why?

An idea.

Come with me. I don't want to go alone.

You've been acting funny since we met that guy.

No, I'm not funny.

I wonder why you say that.

Just because.

We were fine this morning.

And now we're fighting over nothing.

What's going on, sweetie?

I want to have fun. Nothing's going on, Paul.

I'm afraid I'll get bored there.

I'm not going.

I'm not going.

Seen the house being built across the way?

It's a real horror.

If you love me, just be quiet.

A husband has the right to know why his wife's sulking.

I'm sure it's that girl.

Drop dead!

No, Camille isn't here.

I thought you'd lunched out and gone shopping.

She just walked in the door! Your mom.

I'll call you tomorrow.

You're out of your mind, old man!

Why tell Mom I was out?

I don't know why.

I know why.

To find out if we really went out to lunch

and if I wasn't lying earlier.

That's it.

Try that again and I'll divorce you.

Get up!

What are you doing?

I'm sleeping on the couch.

When, tonight?

Every night, starting tonight.

Don't be angry.

I just can't sleep with the window open.

We'll close the window.

You always say you can't breathe. No, we'll sleep apart.

Thousands of couples do it.

They still get along fine.

What did I do wrong? Tell me.

I'm sorry I said you were out. Is that it? Forgive me.

Let me by.

Is that why you're in a bad mood?

Yes, but I'm not anymore.

I'll be just fine here.

I really wonder what I did.

You're so mean all of a sudden!

Me?

I'm the same as always.

You're the one who's changed.

Rate this script:4.8 / 4 votes

Alberto Moravia

Alberto Moravia (Italian pronunciation: [alˈbɛrto moˈraːvja]; November 28, 1907 – September 26, 1990), born Alberto Pincherle, was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel Gli indifferenti (1929) and for the anti-fascist novel Il Conformista (The Conformist), the basis for the film The Conformist (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are Agostino, filmed with the same title by Mauro Bolognini in 1962; Il disprezzo (A Ghost at Noon or Contempt), filmed by Jean-Luc Godard as Le Mépris (Contempt 1963); La Noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 and La ciociara, filmed by Vittorio de Sica as Two Women (1960). Cedric Kahn's L'Ennui (1998) is another version of La Noia. Moravia once remarked that the most important facts of his life had been his illness, a tubercular infection of the bones that confined him to a bed for five years and Fascism, because they both caused him to suffer and do things he otherwise would not have done. "It is what we are forced to do that forms our character, not what we do of our own free will." Moravia was an atheist. His writing was marked by its factual, cold, precise style, often depicting the malaise of the bourgeoisie. It was rooted in the tradition of nineteenth-century narrative, underpinned by high social and cultural awareness. Moravia believed that writers must, if they were to represent reality, "assume a moral position, a clearly conceived political, social, and philosophical attitude" but also that, ultimately, "A writer survives in spite of his beliefs". Between 1959 and 1962 Moravia was president of PEN International, the worldwide association of writers. more…

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Submitted on August 05, 2018

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