Compulsion Page #2

Synopsis: In Chicago in 1924, Artie Strauss and Judd Steiner are friends and fellow law students who come from wealthy backgrounds. They have few true friends as they believe all their contemporaries to be intellectually inferior. Although Judd acts arrogantly towards others his inherent weakness is understood and exploited by Artie and indeed Judd appears to relish his submissiveness to Artie. Part of their goal in life, influenced perhaps by their admiration for Nietzsche, is to experience how it feels to do anything one pleases. They thus plot to commit what they consider the perfect crime - a kidnapping and murder - not only in order to experience killing for killing's sake, but also - especially in Artie's case - to taunt the authorities after the fact. They believe themselves above the law. The actual killing of little Paulie Kessler, and the subsequent attempts to cover their tracks, are not so perfect however. Sid Brooks, a fellow student (who also works for the Globe newspaper) whom the
Director(s): Richard Fleischer
Production: Fox
  Nominated for 1 BAFTA Film Award. Another 1 win & 4 nominations.
 
IMDB:
7.5
Rotten Tomatoes:
100%
APPROVED
Year:
1959
103 min
640 Views


had to get them through the desert somehow.

Can you cite an example

of any of these men...

who failed to respect the law,

or the rights of the individual?

Can Nietzsche explain that away,

Mr. Steiner?

Oh, I think so, sir.

If you've read him, sir, you remember

that he conceives the Superman...

as being detached

from such human emotions...

as anger, and greed, and

lust and the will to power.

And all completely beyond

my comprehension...

although apparently

not yours or Nietzsche's.

Perhaps my thinking

is outmoded.

But I still

cling to the theory...

that if we were all super-intellects,

we would, nevertheless...

- evolve our own code of laws.

- Uh, super-laws, sir.

Well.

An alien voice

in our midst.

And since I haven't heard it before,

Mr. Brooks...

I am forced to assume that you were not

with us earlier in the period.

Well, that's just an assumption, sir.

It can't be admitted as evidence.

Oh, very good, Mr. Brooks.

You surprise me.

But just for once, I shall take a leaf

from Nietzsche's book...

place myself above the law,

and grade you accordingly.

That will be all.

Every time I stick my neck out,

he chops my head off.

You get away with murder.

How come?

I don't know. He just doesn't seem

to think very fast.

He's supposed to be one of the brightest

men in the faculty.

I suppose he is.

About this Nietzsche stuff.

Do you really think...

- there are super-intellects?

- Yes, as a matter of fact, I do.

- Artie? - Swing into the alley, bam!

This torpedo cuts loose with a.38.

Aw, come on, Artie. Cut it out.

You think I'm kiddin'?

All right, what do you think that is, huh?

It looks like a moth hole.

Oh, no, Sid. He got that

running whiskey in from Canada.

- Just for the fun of it.

- Yeah, sure. Just for the fun of it.

You don't believe it, huh?

All right. I tell you what we'll do.

We'll all go down there tomorrow night,

the whole bunch of us. Okay?

The Four Deuces. Judd,

you know the place, don't ya?

We're almost late now, Artie.

All right, now wait a minute.

I gotta get this set.

Sid, you can ask Benny himself about me.

He runs the joint.

On, uh, Rush Street. 26.

Looks like a store.

- Mike? Mike, you'll be there. Sally, Pete.

- Yeah!

You can bring Ruth, can't you?

I'm supposed to work

the late shift at the Globe.

So? What time

do you get through?

No! No, no. Wait a minute. I tell you what.

Just meet us there. I can pick up Ruth.

OrJudd can. Oh, wait a minute.

You know Ruthie Evans, don't you?

- Hello.

- I don't believe I've had the pleasure.

- You do now, so that's all set.

Sid, okay? Ruthie? - Yeah, fine.

Perhaps Miss Evans

would rather wait for Sid.

- No. I don't mind.

Rate this script:5.0 / 1 vote

Richard Murphy

All Richard Murphy scripts | Richard Murphy Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Compulsion" Scripts.com. STANDS4 LLC, 2024. Web. 29 Apr. 2024. <https://www.scripts.com/script/compulsion_5840>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.