Collateral Beauty Page #3

Synopsis: When a successful New York advertising executive suffers a great tragedy, he retreats from life. While his concerned friends try desperately to reconnect with him, he seeks answers from the universe by writing letters to Love, Time and Death. But it's not until his notes bring unexpected personal responses that he begins to understand how these constants interlock in a life fully lived, and how even the deepest loss can reveal moments of meaning and beauty
Genre: Drama, Romance
Director(s): David Frankel
Production: New Line Cinema
  1 win & 3 nominations.
 
IMDB:
6.8
Metacritic:
23
Rotten Tomatoes:
14%
PG-13
Year:
2016
97 min
$30,982,955
13,068 Views


Thanks.

Honey, I got...

I got all kinds of stuff planned.

I got a Christmas tree for us.

Then sucks for you.

I got us tickets to Hamilton.

Then sucks for Hamilton.

That's a tough ticket, Allison.

I've already seen it.

(STAMMERS) You did?

You saw that with Mom and Barry?

And Odell Beckham Jr.

And Odell Beckham?

Yeah.

He's one of Barry's friends.

Why?

Why don't you want to spend

the holiday with me?

I miss you.

Because I hate you.

Because you're a philanthropist.

Because you broke Mom's heart.

- (STAMMERS) Philanderer.

- ALLISON:
What?

The word you're looking for

is philanderer, not philanthropist.

They have a slightly different meaning.

Well, you would know.

Mmm-hmm.

Look, I agreed to tell you in person,

and now I have.

Hey,

have a good Christmas.

(ELEVATOR BELL DINGS)

Hold it.

Hey.

(ELEVATOR BUTTON CLICKS)

So, rapid fire round while I got you?

Cavs are in town.

Christmas showdown at the Garden.

I never give your seat away.

I just go solo, but we could go.

Don't even have to talk.

Don't even have to look at each other.

We can do just what we're doing right now

and just watch the game.

Be like old times.

Right, number two.

We're gonna lose the Danworth account

because that's always been

your relationship.

And they're not feeling the love,

as you might imagine.

So that's gonna happen.

Whatever though,

because we've got an offer

from Omnicom, and it's real.

17 bucks a share.

Please consider it, because...

Yeah, yeah.

Because they leave total creative control

and they let everybody keep their jobs,

which I know you care about,

because you love these people.

Good talk.

(INDISTINCT CHATTERING)

The Beijing boys are here.

Oh, God. No one wants Chinese coffee.

Well, we're selling it.

The Manchurian macchiato. Mmm.

What are we casting?

- Cruise line.

- Now, see, that's good copy.

"Shed your skin, find your life."

Sorry, it's

"Life is found when you shed your skin."

- Does it really matter?

- Yes, because I wrote it.

Oh, well, my way's better.

- Really? How?

- AMY:
Yeah.

Well... Wait, what is your way?

BOTH:
"Life is found

when you shed your skin."

Which, you know, kind of hits you here.

"Shed your skin, find your life."

Hits you here.

That does hit me here.

Right?

You can have it for free.

Just, wait. Wait.

Wait.

- Hey, Frankel.

- Yeah?

"Shed your skin, find your life."

"Shed your skin, find your life."

Everybody, okay?

Got it.

She made it better.

WHIT:
Hey!

(ELEVATOR BELL DINGS)

No, no, no.

Hey, hey!

(HORN HONKING)

- (TIRES SCREECHING)

- (HORN HONKING)

BRIGITTE:
"And you talk to me

in such tones

"as if it wasn't the breath in my lungs

that gave you life."

Rate this script:5.0 / 2 votes

Allan Loeb

Allan Loeb (born July 25, 1969) is an American screenwriter and film and television producer. He wrote the 2007 film Things We Lost in the Fire and created the 2008 television series New Amsterdam. He wrote the film drama 21, which also was released in 2008. Among his other credits, he wrote and produced The Switch (2010). He also co-wrote Wall Street: Money Never Sleeps (2010), and wrote The Dilemma (2011), and Just Go with It (2011). He performed a rewrite for the musical Rock of Ages (2012), and the mixed martial arts comedy Here Comes the Boom (2012). more…

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Submitted on August 05, 2018

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