Collateral Page #2

Synopsis: LA cabbie Max Durocher is the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to drive him to five stops tha
Genre: Crime, Drama, Thriller
Director(s): Michael Mann
Production: Paramount Pictures
  Nominated for 2 Oscars. Another 23 wins & 68 nominations.
 
IMDB:
7.5
Metacritic:
71
Rotten Tomatoes:
86%
R
Year:
2004
120 min
$100,003,492
Website
3,359 Views


a Fortune 500 company or...

...argue cab routes.

Hey.

Oh, whoa, whoa. Hey, yeah.

Come on, man, I'm sorry.

I didn't hear you, man.

Come on. I'll take you.

- Where to?

- 1039 South Union Street.

Gotcha.

- How long you think this'll take?

- Seven minutes.

Seven. Not eight? Not six?

Two minutes to get across the 110

to Normandie.

Normandie to Venice, three minutes.

Over to Union is one.

Plus one for "sh*t happens."

- Okay if I time you?

- Knock yourself out.

What do I get if you're wrong?

A free ride?

You get an apology.

I already offered my free ride today.

- To who?

- Some girl.

Did you get a date with her?

- First time in L.A.?

- No.

Tell you the truth, whenever I'm here

I can't wait to leave.

Too sprawled out, disconnected.

You know.

- That's me. You like it?

- It's my home.

Seventeen million people.

This was a country,

it'd be the fifth biggest economy in the

world, and nobody knows each other.

I read about this guy,

gets on the MTA here, dies.

Six hours he's riding the subway

before anybody notices his corpse

doing laps around L.A.,

people on and off sitting next to him.

Nobody notices.

This is the cleanest cab

I've ever been in.

- Regular ride?

- Yeah, I share it with the day-shift guy.

- Because you prefer nights?

- Yeah, people are more relaxed.

Less stress, less traffic, better tips.

- How are the benefits?

- Oh, no. It's not that kind of job.

I'm not in this for the long haul.

I'm just filling in, you know.

Just temporary while I'm getting

some things shaped up.

This is just temporary.

- How long you been driving?

- Twelve years.

Really?

What other things

you putting together?

You know, I don't wanna talk about it.

Just a little business plan.

- No offense. I just...

- None taken.

You're one of these guys that do

instead of talk. That's cool.

- Seven minutes. Man, you're good.

- I got lucky with the lights.

Yeah, sure. You probably know

the light schedules too.

Listen, I'm in town on

a real-estate deal, close in one night.

I got five stops to make.

Collect signatures, see some friends,

and then I got a 6 a.m. Out of LAX.

Why don't you hang with me.

The car's not for hire, man.

That's against regs.

- Regulations?

- Yeah.

These guys don't pay you sick leave.

How much you pull down a shift?

- How much?

- 350, 400.

Yeah? Well, let me tell you what.

I'll make it 600.

- Man, I don't know.

- Plus an extra hundred

you get me to LAX

and I don't have to run for the plane.

Oh, no, guy.

I don't know about this.

- I don't know.

- Yeah, you do.

- Man, I don't know, man.

- Yeah, you do.

Six hundred...

Cool. We got a deal.

Now, here's 300 down.

- What's your name?

Rate this script:0.0 / 0 votes

Stuart Beattie

Stuart Beattie (born 1972) is an Australian screenwriter and film director. His screenplay for Collateral (2004) earned him nominations for the BAFTA Award for Best Original Screenplay, Satellite Award for Best Original Screenplay and Saturn Award for Best Writing. Beattie attended Knox Grammar School, in Sydney, New South Wales, where his mother, Sandra, was a languages teacher; and later Charles Sturt University in Bathurst. more…

All Stuart Beattie scripts | Stuart Beattie Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Collateral" Scripts.com. STANDS4 LLC, 2024. Web. 3 May 2024. <https://www.scripts.com/script/collateral_5758>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Watch the movie trailer

    Collateral

    Browse Scripts.com

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.