Col cuore in gola (Deadly Sweet) Page #3

Year:
1967
98 Views


No, it's not bad.

Yes, it's bad.

No, it's not bad.

It's neither good neither bad.

And I'm neither

good neither bad.

What are you?

I am what I am.

Yes, I am what I am and

that's enough.

And then?

And then I'd like to be different

but I'm doing nothing to be like that.

- And what are you? - Je

ne sais pas. - Stop it!

Once again "Je ne sais pas"... but I

like you when saying "Je ne sais pas".

Help! Help! Help!

Heeeeelp!

Bernard!

Wait for me!

Wait for me!

Bernard!

Wait for me!

Wait for me!

Bernard!

Sh*t. Here they are once again.

What a pity.

They ruined everything.

So, what are we going to do now?

- Je ne sais pas.

- Please?

Let's come back to my home.

- This cannot be done.

- Why not?

It might be already watched over.

- What?

- Come.

- What are you doing?

- I'm going to call a friend.

No problem, I've just finished.

Better, do you mind to be so kind

to hang up the phone for me?

- Sure.

- Thank you.

Hello?

David, this is Bernard.

Were you sleeping?

I think so.

Sorry. I need to meet you.

That's right.

Can you give hospitality

to me for some time?

Did they chase you

away? Sure, come.

But I'm not alone.

Ah, who's that lucky

baby bird?

Jane Burroughs.

Very good.

So you made it.

So, may we come?

It'll be a pleasure,

when do we meet?

Hello? Bernard?

Listen, maybe you, who

know everything,

do you know where I can

find Jane's brother by chance?

Jerome? I don't know,

if he's not at his home

he might be at Veronica's home.

Who is she?

A model. She sleeps with

him and she works for me.

Do you know where she lives?

Yes, wait, I must have

her address somewhere.

I'm finding it very soon.

Don't hang up.

Here's it,

Bye.

We'd better call an ambulance.

How it happened? Anyone has

seen what occurred?

How do you feel?

Are you feeling better, now?

- Yes, yes, thank you. - Is it better?

- Yes, nothing important, thank you.

Taxi.

Who's there?

A David's friend.

I need to talk with him.

Well, tell me.

Well, not here, let me in.

No, not right now.

I'm sorry.

Come back later.

Who's there?

We're checking meters.

One more time? You came here

one day ago.

A check of a check.

What the hell do you have still

to check out?

As if those wicked meters didn't

already waste a lot of money!

Who's there?

I'm the postman, there's a pack.

Who are you? What do you want?

What are you looking for here?

"You can be delirious

for a pale olive".

- Where's he? - Go out right

now. What the hell do you want?

That pale olive.

Help!

Jerome!

Who is he, do you know him?

What do you want?

The picture.

Quel photo?

That one you stole from

Prescott when he killed him.

Listen, pale olive, no jokes,

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Tinto Brass

Giovanni "Tinto" Brass (born 26 March 1933) is an Italian filmmaker. In the 1960s and 1970s, he directed many critically acclaimed avant-garde films of various genres. Today, he is mainly known for his later work in the erotic genre, with films such as Caligula, Così fan tutte (released under the English title All Ladies Do It), Paprika, Monella (Frivolous Lola) and Trasgredire. more…

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Submitted on August 05, 2018

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