Closed Curtain Page #3

Synopsis: In a secluded house by the sea with the curtains shut, a screenwriter hides from the world with only his dog as company. The tranquility is abruptly broken one night by the arrival of a young woman fleeing from the authorities. Refusing to leave, she takes refuge in the house. But come dawn, another unexpected presence will change everything.
Genre: Drama
Production: Variance Films
  2 wins & 7 nominations.
 
IMDB:
6.6
Metacritic:
81
Rotten Tomatoes:
90%
NOT RATED
Year:
2013
106 min
71 Views


I went out

I went down the stairs

to the front yard.

The door was open.

I was facing it.

There was no one.

Impossible. If there were

someone, I'd have seen him.

I changed the litter box.

I shut the door like this...

With my shoulder.

Then I...

Did I shut it?

I did shut it.

But I didn't hear it slam shut.

Did it stay open?

Did they come in then?

But I shut it.

I took the litter box...

I took the litter box...

I put it back in its place

and I went back

to open this door.

No way!

Have you been

in here long, Boy?

When did you go in here?

Didn't you pee just now?

That door was closed.

No... no, I didn't go

toward that door,

Listen, I came out of here.

I was going to that door

to let Boy...

Then I saw them

standing at the door.

That door was open.

This one was closed.

Closed...

and open.

So when I went in there...

I'd been working upstairs.

Come here, Boy!

Boy!

Try to find me.

Find me.

Boy...

Let's go play a little.

Fetch!

When did you get back?

When did you leave?

How did you get in?

What are you doing here again?

Who are you?

What are you doing?

What are you doing?

One has to communicate

with you differently.

Where are you going?

What the hell?

Why are you doing this?

What do you want?

Who are you?

Where are you going?

Hold on!

Why are you here?

What must I do

not to talk to you anymore?

I get no pleasure communicating

with you, no matter how.

You are desperation itself.

Seeing you dries me up.

What do you want?

I want to be left alone.

Can't you understand?

Please, go away.

I came on a whim.

Now I can't go.

Listen...

Your presence is a burden for me.

You're hurting me.

I can't write anymore.

You can't stay here!

Is your writing so important?

What does it matter?

I was supposed

to finish last week.

What do you want from me?

You weren't supposed to be here.

- It was supposed to be only you?

- Yes.

If things were okay with you,

I wouldn't be here.

A man, a dog, a villa...

You write it and he shoots it.

Then what?

You think you can capture reality

especially in here?

What is it?

What are you looking at?

- Isn't all this real?

- It's real all right?

Of course it is.

Three miserable thieves

who stole some junk.

Thieves or not,

they were real.

Weren't they?

Yes, but not in they way you think.

Otherwise they'd have taken these.

You can't steal reality.

You don't want to leave?

Why would I?

One of us must go.

- Why?

- Didn't you see?

He opened the curtains.

He wants to stay.

Leave,

so he'll know what to do.

You should leave.

I was here first.

It doesn't matter

who was here first.

What matters is

who belongs here.

I kicked out the writer

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Jafar Panahi

Jafar Panahi (Persian: جعفر پناهی‎; born 11 July 1960) is an Iranian film director, screenwriter, and film editor, commonly identified with the Iranian New Wave film movement. After several years of making short films and working as an assistant director for fellow Iranian film-maker Abbas Kiarostami, Panahi achieved international recognition with his feature film debut, The White Balloon (1995). The film won the Caméra d'Or at the 1995 Cannes Film Festival, the first major award won by an Iranian film at Cannes. Panahi was quickly recognized as one of the most influential film-makers in Iran. Although his films were often banned in his own country, he continued to receive international acclaim from film theorists and critics and won numerous awards, including the Golden Leopard at the Locarno International Film Festival for The Mirror (1997), the Golden Lion at the Venice Film Festival for The Circle (2000), and the Silver Bear at the Berlin Film Festival for Offside (2006). His films are known for their humanistic perspective on life in Iran, often focusing on the hardships of children, the impoverished, and women. Hamid Dabashi has written, "Panahi does not do as he is told — in fact he has made a successful career in not doing as he is told."After several years of conflict with the Iranian government over the content of his films (including several short-term arrests), Panahi was arrested in March 2010 along with his wife, daughter, and 15 friends and later charged with propaganda against the Iranian government. Despite support from filmmakers, film organizations, and human rights organizations from around the world, in December 2010 Panahi was sentenced to a six-year jail sentence and a 20-year ban on directing any movies, writing screenplays, giving any form of interview with Iranian or foreign media, or from leaving the country except for medical treatment or making the Hajj pilgrimage. While awaiting the result of an appeal he made This Is Not a Film (2011), a documentary feature in the form of a video diary in spite of the legal ramifications of his arrest. It was smuggled out of Iran in a flash drive hidden inside a cake and shown at the 2011 Cannes Film Festival. In February 2013 the 63rd Berlin International Film Festival showed Closed Curtain (Pardé) by Panahi and Kambuzia Partovi in competition; Panahi won the Silver Bear for Best Script. Panahi's new film Taxi premiered in competition at the 65th Berlin International Film Festival in February 2015 and won Golden Bear, the prize awarded for the best film in the festival. In 2018 he won the Cannes film festival Award for Best Screenplay (tied) for 3 Faces; although he wasn't able to leave the country to attend the festival, his daughter, Solmaz Panahi, read his statement on behalf of him and received the award. more…

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Submitted on August 05, 2018

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