Classe Tous Risques Page #3

Synopsis: Abel Davis is a criminal, hunted in Italy. The police are closing in, so he and his pal Raymond arrange to flee back to France with Abel's wife, Thérèse, and their two young sons. Abel and Raymond commit a brazen robbery to get funds, killing two men; in the escape, more die. Abel arrives in Nice with the boys, calls his pals in Paris, and gets the brush-off. Reluctantly, they send a stranger, Eric Stark, to bring Abel to Paris, but he's getting the message he's on his own. Honor, friendship, and debt now count for little. What can Abel, a wanted man with two small children and only Stark as a friend, do? "Never give ground," he tells Eric, but how long can he hold to his code?
Genre: Crime, Drama, Romance
Director(s): Claude Sautet
Production: Rialto Pictures
 
IMDB:
7.5
Metacritic:
84
Rotten Tomatoes:
100%
NOT RATED
Year:
1960
103 min
Website
53 Views


This place...

If Abel had not given me

the money, it wouldn't be mine.

Yes, but Fargier owes Abel his life.

Abel got him out of prison.

I know what I have to do.

I too know Fargier well.

I'll let him think things over.

When Fargier thinks things over,

it's never bad.

As for us,

we'll walk behind.

- Several of you will drive down there ?

- No, I don't think so.

Jeannot can't do it...

As for Riton...

He'd drive down there if I did.

And I won't.

What are you saying ?

Listen, Sophie. I said I wouldn't go.

But he'll come back here all the same.

Safe and sound.

Once he's in Paris,

I'll personnally take care of him.

Like a brother.

Come on, Daniel !

- Yes !

- Take your balloon !

Here they come !

Hello, children !

Hello, Sir !

You come here !

Know what I'll do with you ?

A package....

And do you

where I'll throw this package ?

Do you know ?

- Stop it ! he'll get dirty !

My balloon does not fly any more !

It does not ? I'll inflate it if

you help me putting on the plates.

Go get the plates !

Hurry !

Where the boats are,

why doesn't the sea move ?

It's done on purpose !

So that they won't bump

into each other

and won't be damaged.

- Because it's a harbour.

- That's it. It's called a harbour !

The phone, Abel...

when you're ready...

Thank you. I'll go now.

There's no answer, Sir.

Right...Thank you.

Not bad, is it ?

How much ?

- 450

- 'Morning.

- Hello.

That's all I could find.

Not new. But fast enough.

It's good. Quite good.

To hide a kid...

Or a Stein.

That's it.

We only need a driver.

And what does Nevada say ?

He says they're not easy to find.

In the beginning, if I had been

told, it'd come to that,

I wouldn't have believed it.

But we've got to face it,

Now, the cops visit

the hotels 3 times a day.

You know, Abel,

they say I'm trustworthy...

It's the truth.

No one ever got into trouble

at my place.

But you...

you know, Abel...

You can't remain unnoticed.

Sure... you're very cautious.

But people have eyes everywhere.

And a man alone with kids...

People talk.

You can't stop people from talking.

I should never have

accepted the money for the room.

Your case.... is not a matter of money.

You did what you could.

Dad !

What's the matter ?

Shall we stay here long ?

No.

When will they come and get us ?

Soon.

Where shall we go afterwards ?

To Paris.

My name's Stark,

Eric Stark.

Nevada told me about you.

So... I came

May I ?

Mr Nevada....

Raoul Fargier.

I have someone here who

says you sent him.

Yes.... All right...

Thanks.

You'll excuse me.

It's no small matter.

So, you're one of us.

In a way...

I work alone.

It has a few advantages.

You heard about me?

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José Giovanni

José Giovanni (22 June 1923, Paris, France – 24 April 2004, Lausanne, Switzerland) was the pseudonym of Joseph Damiani, a French writer and film-maker of Corsican origin who became a naturalized Swiss citizen in 1986. A former collaborationist and criminal who at one time was sentenced to death, Giovanni often drew his inspiration from personal experience or from real gangsters, such as Abel Danos in his 1960 film Classe tous risques, overlooking that they had been members of the French Gestapo. In his films as well as his novels, while praising masculine friendships and advocating the confrontation of the individual against the world, he often championed the underworld but was always careful to hide his own links with the Nazi occupiers of France during World War II. more…

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Submitted on August 05, 2018

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