Casanova Page #4

Synopsis: Casanova is in love with Francesca, who thinks he is a friend of himself even though he is engaged to Victoria, who is the love of Giovanni, Francesca's brother. Francesca is betrothed to Paprizzio who thinks Casanova is the feminist writer Guardi, who is really Francessca's nomme de plume. Amidst all these secret identities and misunderstandings, the Catholic Church sends Pucci to bring Casanova and Guardi to trial for heresy.
Director(s): Lasse Hallström
Production: Buena Vista Pictures
  5 wins & 3 nominations.
 
IMDB:
6.5
Metacritic:
57
Rotten Tomatoes:
44%
R
Year:
2005
112 min
$11,193,738
Website
1,320 Views


Signor Salvato.

Oh, dear.

This gentleman is here to explain

the terms of the duel and to see fair play.

- Very good.

- Your attention, please, gentlemen.

Stay behind the line until I give the word.

If one trips or falls, the other puts up

his sword until I say "continue".

Yes.

If a sword breaks,

your second hands you the spare sword.

- Do we have a spare sword?

- Yeah, we do.

First blood ends the duel.

Master!

Move. Go on.

Master!

It's the old switch game.

You'd have killed him.

And you are?

Francesca Bruni.

He's my brother.

- I'll take that, sir.

- Sorry, Signor Salvato.

I should think you would be sorry.

- It was all a case of mistaken identity.

- Mistaken identity?

Giovanni got it into his head

you were courting Signorina Donato.

- Did he?

- It's all over Venice.

The famously virginal Victoria Donato is

gonna marry the infamous rake, Casanova.

- Do you know him?

- Casanova. The philosopher,

who devotes his life to the perfection

of experience? Yes, I know him.

No. Casanova the libertine

who devotes his life to seducing women.

Well, we're obviously

talking about the same person.

There must be something deeply wrong

with a man like that, don't you think?

Something missing in his life.

True love, perhaps.

All love is true in different ways.

To say "l love falsely" is as self-

contradictory as saying "l believe falsely".

You are a philosopher, too.

I've spent countless hours

alone with Casanova,

pondering the ways of love and

how it makes us at one with the angels.

And with the beasts.

I will not debate with you

if you take the side of a man

whose idea of love

demands a female sacrifice every day.

I've no sympathy for women who think no

better of themselves than to be a plaything.

You tell your friend from me that what

he imagines being love is, in fact, self-love.

And self-love is self-doubt.

- Well said.

- Yes.

By the philosopher Bernardo Guardi.

You should read him, Signor Salvato.

- Clearly.

- Give me a man who is man enough

to give himself just to the woman

who is worth him.

If that woman were me,

I would love him alone and forever.

Goodbye, Signor Salvato.

If fighting continued, one of us

would have had good cause to be sorry.

The one still standing, I think.

Francesca Bruni.

- I want my money!

- Next week, without fail.

- You said that last week!

- I was a week early.

- Go to hell.

- I'll see you there. Thank you so much.

Honestly. Why, the nerve!

Can you believe this man?

I mean

does he know who we are?

He should be honored

to be owed money by the likes of us.

- Lupo.

- What?

I've made a terrible mistake.

- You have?

- Yes.

I have to find her.

Master, I'm a little confused.

Rate this script:0.0 / 0 votes

Jeffrey Hatcher

Jeffrey Hatcher is an American playwright and screenwriter. He wrote the stage play Compleat Female Stage Beauty, which he later adapted into a screenplay, shortened to just Stage Beauty (2004). He also co-wrote the stage adaptation of Tuesdays with Morrie with author Mitch Albom, and Three Viewings, a comedy consisting of three monologues - each of which takes place in a funeral home. He wrote the screenplay Casanova for director Lasse Hallström, as well as the screenplay for The Duchess (2008). He has also written for the Peter Falk TV series Columbo and E! Entertainment Television. more…

All Jeffrey Hatcher scripts | Jeffrey Hatcher Scripts

0 fans

Submitted on August 05, 2018

Discuss this script with the community:

0 Comments

    Translation

    Translate and read this script in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this screenplay to your bibliography:

    Style:MLAChicagoAPA

    "Casanova" Scripts.com. STANDS4 LLC, 2024. Web. 29 May 2024. <https://www.scripts.com/script/casanova_5146>.

    We need you!

    Help us build the largest writers community and scripts collection on the web!

    Browse Scripts.com

    Casanova

    Soundtrack

    »

    The Studio:

    ScreenWriting Tool

    Write your screenplay and focus on the story with many helpful features.