Casanova Page #2

Synopsis: Casanova is in love with Francesca, who thinks he is a friend of himself even though he is engaged to Victoria, who is the love of Giovanni, Francesca's brother. Francesca is betrothed to Paprizzio who thinks Casanova is the feminist writer Guardi, who is really Francessca's nomme de plume. Amidst all these secret identities and misunderstandings, the Catholic Church sends Pucci to bring Casanova and Guardi to trial for heresy.
Director(s): Lasse Hallström
Production: Buena Vista Pictures
  5 wins & 3 nominations.
 
IMDB:
6.5
Metacritic:
57
Rotten Tomatoes:
44%
R
Year:
2005
112 min
$11,193,738
Website
1,295 Views


A good woman from a good family

will give you protection.

A wife?

It will soon be the time of Carnevale

when authority winks at our indiscretions.

- You're bad enough during Lent.

- But Carnival's in a few days.

You better not waste any more time then.

- Meanwhile, you're on good behavior.

- A wife?

- No scandals,...

- Getting married?

..duels, drunken escapades.

Morning, Lupo.

- We were worried about us.

- You were right to be.

- We're getting married.

- Congratulations. To whom?

Don't know yet.

Any callers?

Landlord, tailor, wine merchant,

usual creditors.

Look at the state of us.

Where have you been all night?

It's like being married already.

Can you get me some fresh clothes?

We have some shopping to do.

- The Contessa Morelli-D'Aosta.

- Yes, yes, yes. Oh, but, no, she snores.

Yes, I remember.

Lady Veronique Costello.

- Heavenly.

- Yeah.

- Duchess of Urfe.

- Yes.

- But didn't she poison her husband?

- Did she? I don't remember that.

Ah, Giulietta Badalamente.

Sadly, she hasn't

poisoned her husband yet.

Perhaps if we told us

what we're looking for.

I don't know. Beauty, modesty.

- Purity.

- All that.

Lupo. We have had a vision.

Still spying on your virgin?

She'll never look this way

if you don't make yourself known.

The whole town's talking about it.

It's just appalling.

You think those men liked hearing

they're no good in bed?

If they wanted that,

they'd go home to their wives.

Francesca, arrogance

in a woman is not attractive.

She's not arrogant.

She's just angry.

- Fruit, sir?

- Don't defend your sister.

It's true. She knows

she's smarter than most men,

which makes men pretend to be superior,

which makes her angry,

which is seen as arrogance.

Giovanni, come away from the window.

Our neighbours'll think you're a gargoyle.

No, Vittorio. Over there.

Francesca, this is a very important week as

you well know. You have responsibilities.

In a few days, thanks to you,

I won't be poor any more.

Much thanks to your father

who had the foresight to betroth her

to his rich cousin's eldest son in Genoa.

Listen to this.

"Mystery transvestite at university

overturns laws of gravity,

conjures devil from the air,

nearly starts fire."

God. Can't they get anything right?

Be thankful. I told you I'd not permit another

scandalous display at the university.

- There's too much at stake.

- Mother, I don't want to marry him.

- Please. I'll be damned if I do.

- Well, if you won't, I will.

That's funny, is it?

Well, I'm damned to be widowed

and gathering dust.

Mother.

Well done.

I know why you're like this

about your fiance.

- Why I'm like what?

- Come on.

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Jeffrey Hatcher

Jeffrey Hatcher is an American playwright and screenwriter. He wrote the stage play Compleat Female Stage Beauty, which he later adapted into a screenplay, shortened to just Stage Beauty (2004). He also co-wrote the stage adaptation of Tuesdays with Morrie with author Mitch Albom, and Three Viewings, a comedy consisting of three monologues - each of which takes place in a funeral home. He wrote the screenplay Casanova for director Lasse Hallström, as well as the screenplay for The Duchess (2008). He has also written for the Peter Falk TV series Columbo and E! Entertainment Television. more…

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Submitted on August 05, 2018

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