Carrington Page #5

Synopsis: The story of the relationship between painter Dora Carrington and author Lytton Strachey in a World War One England of cottages and countryside. Although platonic due to Strachey's homosexuality, the relationship was nevertheless a deep and complicated one. When Carrington did develop a more physical relationship with soldier Ralph Partridge, Strachey was able to welcome him as a friend, although Partridge remained somewhat uneasy, not so much with Strachey's sexual orientation as with the fact that he was a conscientious objector.
Director(s): Christopher Hampton
Production: MGM Home Entertainment
  Nominated for 1 BAFTA Film Award. Another 7 wins & 7 nominations.
 
IMDB:
6.9
Rotten Tomatoes:
55%
R
Year:
1995
121 min
227 Views


Aren't you being rather romantic?

Are you certain?

There's nothing romantic about it.

What did Mark say?

He was terribly upset.

Oh, it's all too incongruous.

I'm so old and diseased.

I mean, I wish I was more able.

It doesn't matter.

What ought we to do about the physical?

- I don't mind about that.

- Ah, but you should.

All this is quite deliberate, you know.

I wish I was rich.

- Then I could keep you as my mistress.

- What difference would that make?

Will you stay?

Well...

Won't you spoil me, just this once?

Tonight?

(Dora crying softly)

(car engine)

I come bearing gifts.

- Oh, globes!

- Looted from Mother.

Oh, what a hero! If I were bigger,

I'd carry you over the threshold.

Well done.

Oh, don't go in there.

The pipes seized up. Then they burst.

- Good God.

- Come upstairs.

It's remarkable.

Yes, it seems that Eminent Victorians is

about to burst upon an astonished world.

- That's marvellous, Lytton.

- And not before time.

Chatto and Windus

claim to find it enchanting.

Not absolutely the adjective

I had in mind...

My God!

What?

You're living with him.

Yes.

How could you lie to me like that?

- Did you think I wouldn't find out?

- I didn't want to hurt you.

Oh!

Do you know, when I found out,

just thinking about you

and that half-dead eunuch,

I vomited all night.

You have poisoned my life.

Haven't you any self-respect?

Not much.

But he's just a disgusting pervert!

You always have to

put up with something.

It's very bright tonight.

Do you think there'll be a raid?

(gasps)

(Carrington) Mark!

No!

Have you managed it yet? Have you?!

I'll kill him!

That was all rather thrilling.

I'll kill him!

Anything more cinematographic

could scarcely be imagined.

THREE:
PARTRlDGE 1918-1921

(singing "La donna e mobile"

from Verdi's "Rigoletto")

(Carrington) Rex Partridge,

the man I was telling you about,

is coming down to see us on Friday.

After the war, he plans to sail

a schooner to the Mediterranean islands,

and trade in wine,

and dress like a brigand.

- You mean that you enjoy it?

- Well, no, it's not that I enjoy it.

Of course not. But it does seem

a good deal more real over there.

And it's a relief to get out of range

of all those Bolsheviks and malingerers,

who spend all their time complaining

about subjects they know nothing about.

- If you mean conscientious objectors...

- I do. That's exactly what I mean.

Only I call them skulkers.

A lot of them are prepared

to suffer for their beliefs.

- Bertie Russell's in jail.

- Best place for him, I dare say.

Anyway, he's better off there

than in the trenches, isn't he?

- That's not the point.

- Of course it is.

What are you supposed to do

Rate this script:4.0 / 1 vote

Christopher Hampton

Christopher James Hampton, CBE, FRSL (born 26 January 1946) is a British playwright, screenwriter, translator and film director. He is best known for his play based on the novel Les Liaisons dangereuses and the film version Dangerous Liaisons (1988) and also more recently for writing the nominated screenplay for the film adaptation of Ian McEwan's Atonement. more…

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Submitted on August 05, 2018

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