Call Girl Page #2

Synopsis: Call Girl is set in the late 1970s - a time time of women's liberation, sexual revolution, Swedish neutrality, nuclear power and social security. The film takes us on a trip from the very bottom of society, along dark back streets, through glitz and glamour, to the corridors of power which are a labyrinth of secrets. The story is inspired by a Swedish political scandal known as Bordellhärvan which linked underage prostitution with powerful customers believed to come from the highest levels of society.
Genre: Drama, Thriller
Director(s): Mikael Marcimain
Production: Garagefilm International
  9 wins & 12 nominations.
 
IMDB:
6.5
Rotten Tomatoes:
80%
Year:
2012
140 min
237 Views


Hello, wait a second. - We had a win

with Black Daisy last time, right?

- Yes, Darling came second.

- Darling...

Sasja, will you see to the Polack

later on?

No, Sasja.

Yes, you can rely on that girl.

- Hello.

- Hello.

Thank you.

Excuse me...

Matuszewski...

Sasja Mintze is connected to Lukasz

Tyszkiewicz and Pjotr Matuszewski.

- Military attach and consul-general.

- She's one of the call girls.

Dagmar here.

So Dagmar Glans has a girl

in her stable from Z2...

- ... who has sex with our guys?

- They must have something on her.

Dagmar Glans won't know that.

The Colonel has top clearance.

Head of the Defence

Materiel Administration.

See you Thursday.

- The fighter planes and all of that.

- Viggen.

Imagine what they say

in a heated moment.

As for security

this is a total disaster.

- So what do we do with the slops?

- I'll take it.

N. HOLM

Head of the Security Service

We neither wish to, nor can we forbid

anyone from being a housewife.

We neither wish to, nor can we forbid

anyone from being a househusband.

We strive for equal opportunities

for men and women.

Everyone knows that women

want to join the labour market.

Give everyone possibilities for

initiative, activity, responsibility.

To achieve economic independence-

- and to be able to experience

the community of working life.

- I thought you had a session now.

- To hell with the sessions.

- What will Mona say?

- What can she say?

It's not like she's my Mum.

We can get away after dinner.

Listen to this drivel: "The sessions

should create a basis for contact"-

- "and keep the personnel informed

about the girls' progress."

Bullshit!

They can't do anything to us anyway.

- So they came to get you?

- Mum did. My old man was too drunk.

Cut it out!

That's my polish. Give it back!

- Get a grip, Iris.

- It's my turn.

OK, OK! I'm going to pee in my pants.

OK, I give in!

- This took me an hour to do.

- Serves you right.

- Did you add the extra salt?

- I don't know.

- How do you know Sonja?

- We're cousins.

So you've known each other

a long time, right?

Yeah, like, our whole lives.

- Don't... I salted it already.

- I see.

We're going out later.

Can I borrow that polish?

No.

- But you're not going anywhere.

- What do I get?

One swig, not 15!

Don't touch anything.

Stop poking around!

- We're coming with you.

- No way.

Give me my mascara, you creep!

Mona... Did you know that Minna

and Mari go out at night...

What the hell are you doing?

Ouch!

Minna! Minna...

Minna, stop it!

- Iris, get a grip!

- Is everything alright?

- Get out of here, you creep!

- It's under control, Krister.

What are you making a fuss about?

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Marietta von Hausswolff von Baumgarten

Marietta von Hausswolff von Baumgarten (née von Baumgarten, her mother is Journalist Marianne von Baumgarten-Lindberg) is a Swedish screenwriter from Stockholm. She wrote the screenplay for the 2012 Guldbagge nominee film Call Girl. She also co-produced the film. more…

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Submitted on August 05, 2018

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