Bright Star Page #4

Synopsis: It's 1818 in Hampstead Village on the outskirts of London. Poet Charles Brown lives in one half of a house, the Dilkes family who live in the other half. Through their association with the Dilkes, the fatherless Brawne family know Mr. Brown. The Brawne's eldest daughter, Fanny Brawne, and Mr. Brown don't like each other. She thinks he's arrogant and rude, and he feels that she is pretentious, knowing only how to sew (admittedly well as she makes all her own fashionable clothes), flirt and give opinions on subjects about which she knows nothing. Insecure struggling poet John Keats comes to live with his friend, Mr. Brown. Miss Brawne and Mr. Keats have a mutual attraction to each other, a relationship which however is slow to develop in part since Mr. Brown does whatever he can to keep the two apart. But other obstacles face the couple, including their eventual overwhelming passion for each other clouding their view of what the other does, Mr. Keats' struggling career which offers him l
Director(s): Jane Campion
Production: Apparition Films
  Nominated for 1 Oscar. Another 16 wins & 52 nominations.
 
IMDB:
7.0
Metacritic:
81
Rotten Tomatoes:
83%
PG
Year:
2009
119 min
$4,341,275
Website
1,050 Views


John Keats.''

Thank you.

I was wondering this morning

if you're sleeping in my bed.

Pardon?

You see, I believe you are.

We rented Mr. Brown's half of the house

this summer

while you were journeying in Scotland.

Which room do you sleep in?

The one overlooking the back garden.

That was my bed.

For proof, pull it from the wall

and by the pillow, you will find a figure

I drew with pin holes.

Is the figure you?

It's a fairy princess.

-Should I be feeding her?

-She refuses to eat.

Would you teach me poetry?

I'd... I'd Like to understand it.

I don't know how to begin.

And it's three to the right.

Two, three. Three to the left.

Two, three.

And down. And keep it going.

So that's the English drawing room.

And this is something

that I saw in Scotland.

They kick,

and they jump,

and they twirl it,

and they sweat it,

and they tattooed the floor Like mad!

What about a poem?

-Yes. Please, Mr. Keats.

-A short one.

''When I have fears that I may cease to be

''Before my pen has glean'd

my teeming brain

''Before high-piled books, in charact'ry

''Hold Like rich garners the full-ripen'd grain

''When I behold, upon the night's starr'd face

''Huge cloudy symbols of a high romance''

-I do apologize. I've gone blank.

-You're tired.

Should you Like some sweet?

Shall we have coffee and sweet?

Come through to our side.

I've come for my poetry class.

Your poetry class?

Poetry classes!

Keats, are we teaching poetry today?

I hope I don't disturb.

Take a seat.

Have a look at that.

A poet is not at all poetical.

He is the most un-poetical thing

in existence.

He has no identity.

He is continually filling some other body,

the sun, the moon.

I cannot restrain my credibility longer.

Miss Brawne,

is this really you or are you acting?

-It's really me.

-Is it?

Charles, I have a pupil.

-Desist or depart.

-Apologies.

My modest hope is that the cost

of the lesson will not be the poet.

The cost of the lesson is that Mr. Keats

will forthwith discuss poetry with me.

You don't mean to read the poems?

Until I know all the poets and poems

in the world,

since I've nothing to do,

as you so many times have noted.

I bow to your ambition.

Now he's gone, I shall find it easier to talk.

Can you say something

of the craft of poetry?

Poetic craft is a carcass, a sham.

If poetry does not come as naturally

as leaves to a tree,

then it had better not come at all.

I am mistaken.

I am not sure I can teach you.

Was I too rude? I... I can apologize.

I'm not sure I have

the right feelings towards women.

I'm suspicious of my feelings.

Do you not Like me?

I'm attracted to you without knowing why.

AII women confuse me, even my mother.

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Jane Campion

Dame Elizabeth Jane Campion (born 30 April 1954) is a New Zealand screenwriter, producer, and director. Campion is the second of five women ever nominated for the Academy Award for Best Director and is the first—and thus far, only—female filmmaker in history to receive the Palme d'Or, which she received for directing the acclaimed film The Piano (1993), for which she also won the Academy Award for Best Original Screenplay. more…

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Submitted on August 05, 2018

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