Brideshead Revisited Page #2

Synopsis: WWII. Charles Ryder, in his civilian life, rose out of his middle class London background, which includes being an atheist and having a distant relationship with his eccentric father, to become an up and coming artist. He is currently an army officer, who is stationed at a makeshift camp set up at Brideshead estate before imminently getting shipped into battle. The locale, which is not unfamiliar to him, makes him reminisce about what ended up being his doomed relationship with Brideshead's owners, the Flytes, an ostentatiously wealthy family. Charles first met Sebastian Flyte when they both were students at Oxford, where Sebastian surprisingly welcomed Charles into his circle of equally wealthy, somewhat stuck up and flamboyant friends. Charles ended up getting caught up in Sebastian's family struggles, where Sebastian used excessive alcohol to deal with the pain resulting from his family relationships. Although Charles and Sebastian were more than just friends, Charles ultimately fel
Genre: Drama, Romance
Director(s): Julian Jarrold
Production: Miramax Films
  10 nominations.
 
IMDB:
6.7
Metacritic:
64
Rotten Tomatoes:
63%
PG-13
Year:
2008
133 min
$6,359,742
Website
843 Views


(EVERYONE LAUGHING )

-My dears.

-HeIIo, BIanche.

HeIIo, BIanche.

I couIdn't get away before.

I was Iunching

with my preposterous tutor.

I toId him I had to change for footer.

(ALL LAUGHING )

(BLANCHE MOANS )

Anthony, you remember CharIes.

From Iast night?

CharIes is reading history,

but he wants to be an artist.

-No!

-Why ever not?

-Either you are an artist or you are not.

-MAN:
Hear, hear.

-Then I am.

-Interesting.

You have about you

a distinct hint of the pragmatic.

What do you want to be an artist for?

I mean, what's the point of it?

Why don't you just

buy a bIoody camera

and take a bIoody photograph

and stop giving yourseIf airs?

-That's what I want to know!

-That's it, go it, Boy!

-I don't give myseIf airs.

-Yes, you do.

And, anyway,

you haven't answered my question.

Come on! Answer!

-Answer, answer, answer, answer...

-MAN:
Yes.

ALL:
Answer, answer, answer, answer...

Because a camera

is a mechanicaI device

which records a moment in time,

but not what that moment means

or the emotions that it evokes.

(ALL GIGGLING )

Whereas a painting,

however imperfect it may be,

is an expression of feeIing.

An expression of Iove.

Not just a copy of something.

(BLANCHE CLAPPING )

And who on earth do you think

cares about your feeIings?

SEBASTIAN:
I do.

Boy, you're an oaf. Behave yourseIf.

To art and Iove.

ALL:
To art and Iove!

We'd just arrived in his rooms, then,

without even a, ''By your Ieave,''

the Lord FIyte pokes his head

through the window and vomits.

Ground fIoor rooms, you see.

Poor CharIes may never recover.

-Morning, Jasper.

-Morning.

(LAUGHING )

RUGB Y PLAYER:

Two tries out of you today...

CharIes. You're to come away at once!

I've got a basket of strawberries

and a bottIe of Chateau Peyraguey,

which isn't a wine you've ever tasted,

so don't pretend.

It's heaven with strawberries.

Just the pIace to bury a crock of goId.

I shouId Iike to bury

something precious

in every pIace where I've been happy.

And, then,

when I was oId and ugIy and miserabIe,

I couId come back

and dig it up and remember.

Come aIong, CharIes.

There's someone I want you to meet.

-Is this where you Iive?

-It's where my famiIy Iive.

Don't worry,

you won't have to meet them.

-Oh, but I shouId Iike to.

-You can't. They're away.

Everything's shut up.

We better go this way.

SEBASTIAN:
Keep up.

CharIes. CharIes.

(BOTH LAUGHING )

(DOOR OPENING )

WeII, this is a surprise!

How IoveIy to see you.

(NANNY HAWKINS EX CLAIMS )

Meet my new chum, CharIes.

CharIes, this is Nanny Hawkins.

This is who I wanted you to meet.

-I don't think I know you, do I?

-How do you do?

Your friend has charming manners.

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Andrew Davies

Andrew Wynford Davies (born 20 September 1936) is a Welsh writer of screenplays and novels, best known for House of Cards and A Very Peculiar Practice, and his adaptations of Vanity Fair, Pride and Prejudice, Middlemarch and War & Peace. He was made a BAFTA Fellow in 2002. more…

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Submitted on August 05, 2018

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