Breaking And Entering Page #3
Matter of fact, she punctured
my eardrum at one point,
but you knew where you were.
Simple, we're all simple.
What have you been up to while
you've not been at school?
Back thieving,
stealing again? Hmm?
See, things are not things.
Things are always somebody's things.
Car is Jack's car,
'cause he worked for it.
Kevin's Prada jacket,
before it was his... I can see
your little brain ticking over.
His Prada jacket belonged to Mr. Prada.
Before what?
Before it was Mr. Prada's?
Did it belong to the women who made it?
'Cause my mom does that...
makes clothes for other people,
slaves for other people.
Or like when prisoners make trains.
Next time you're going down.
We'll catch you,
and then you can discuss who owns the trains
with your cell mates.
Back in a minute.
Sorry I'm late again,
but everything is here.
- All the Macs. Everything
- It's okay.
- Excellent. Thank you.
- Thank you.
Excuse me.
You dropped this.
Oh, thanks, Erika.
Oh, please, come up, Erika.
It is Erika, isn't it?
- Yes, sir.
- Sandy.
We set the alarm, sir.
I did it myself.
You have my word.
I'm not accusing you.
The police have already called my mobile phone,
asking me questions.
Yeah, that is normal.
About this thing and then that thing.
I'm so sorry.
It was like Kafka.
'Where did you get your car?'
'Why are you ordering takeaway?'
You know, we try to do a good job.
You-you do, you do do a very good job.
Erika, listen.
We have to have a new code for the alarm.
Now, we're going to give you your own code,
not us,
so there's absolutely no way
of you being wrongly accused of anything.
- Is that a deal?
- Okay, thanks.
Oh, listen.
I had your picture on my computer.
What would the burglar make of that?
My photograph?
Yeah. Well, from when I was,
if you remember.
So, the burglar, someone
who didn't know the context,
would think you were a friend or a girlfriend.
there who couldn't hear us,
what would he make of this?
Well, apart from my uniform.
Of course apart from the uniform, yeah.
But say, if we were too far away
to see the uniform.
You know? And I could give you
this book, and you know,
for all matey-boy over there
knows, that's a collected works
of Franz Kafka,
that's your birthday...
- Or the Bible.
- Or the Bible.
Uh...
The model hasn't changed.
Of course I know.
Because we'd have to plant...
Why isn't she moving?
You can't take a fish out of the water.
I have 50 e-mails.
- Why isn't she moving?
- She's dead.
Translation
Translate and read this script in other languages:
Select another language:
- - Select -
- 简体中文 (Chinese - Simplified)
- 繁體中文 (Chinese - Traditional)
- Español (Spanish)
- Esperanto (Esperanto)
- 日本語 (Japanese)
- Português (Portuguese)
- Deutsch (German)
- العربية (Arabic)
- Français (French)
- Русский (Russian)
- ಕನ್ನಡ (Kannada)
- 한국어 (Korean)
- עברית (Hebrew)
- Gaeilge (Irish)
- Українська (Ukrainian)
- اردو (Urdu)
- Magyar (Hungarian)
- मानक हिन्दी (Hindi)
- Indonesia (Indonesian)
- Italiano (Italian)
- தமிழ் (Tamil)
- Türkçe (Turkish)
- తెలుగు (Telugu)
- ภาษาไทย (Thai)
- Tiếng Việt (Vietnamese)
- Čeština (Czech)
- Polski (Polish)
- Bahasa Indonesia (Indonesian)
- Românește (Romanian)
- Nederlands (Dutch)
- Ελληνικά (Greek)
- Latinum (Latin)
- Svenska (Swedish)
- Dansk (Danish)
- Suomi (Finnish)
- فارسی (Persian)
- ייִדיש (Yiddish)
- հայերեն (Armenian)
- Norsk (Norwegian)
- English (English)
Citation
Use the citation below to add this screenplay to your bibliography:
Style:MLAChicagoAPA
"Breaking And Entering" Scripts.com. STANDS4 LLC, 2024. Web. 4 May 2024. <https://www.scripts.com/script/breaking_and_entering_4642>.
Discuss this script with the community:
Report Comment
We're doing our best to make sure our content is useful, accurate and safe.
If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.
Attachment
You need to be logged in to favorite.
Log In